LOVE

Other than music, I'm not much of an art-buff. I enjoy reading, I like poetry, and can observe paintings. There are few physical pieces that move me as much as music does. But, there are a few exceptions, and I want to talk about one of them. There's a popular piece of art on the street corner of 55th St and 6th Ave in New York City. I'm sure you've seen it before. LOVE. That's it. The letters L and O (which is slanted) over the letters V and E. The face of the letters are red and the silhouette is blue. It's nothing fancy, colorful, or significant. Ring any bells? Here's a pic:






Pretty simple right? For something so obvious and artistically relevant, it carries the weight of a city on its shoulders. Though just a four-letter word, LOVE packs a strong meaning, and is simple to say, do, and experience. Right?
"What have I learned about love? It's a dangerous commodity, froth will peril". That's a quote from the artist, Robert Indiana, who originally created the concept for the cover of a Christmas Card for the Museum of Modern Art in 1964. It then became a popular (and now collectable) postage stamp 9 years later. In 1966, Indiana made a steel sculpture of it and was displayed in the Museum of Modern Art for many years before being moved out onto the corner of 55th and 6. As you can see from the picture, it stands alone as an obvious reminder to the millions of New Yorkers and tourists who walk by it each year to simply love.

Has it worked? Probably not. We live in a world that seems to do the complete opposite as fine wine; it gets worse with age. Sitting in the Christian box for a moment, I hear about love all the time. With all the sermons, books, music, and special speakers I hear over the course of a year, you'd think that I'd be learning to love better, love more, and love differently. I'm not the one to judge whether that's true or not, but at least I have some sort of self-awareness of it. Sitting in the secular box for a moment, I see more war, killing, lust, and immoral opportunity every time I turn on the TV. When I sit in my lunch room at work every day, CBC news is on (it's the only channel we get) and all I see if how many have been killed in this Eastern country, what political party is slamming the other, and what Pres Obama is doing to save the universe today. (side note: Obama, by the way, had his own version of the LOVE statue created by Indiana to raise money for his campaign which replaced the word "LOVE" with "HOPE").

We're bombarded with pleas to love more. Love each other, love our neighbor, and love our enemies. Love others despite race, religion, sex, political affiliation, and moral belief. Why is it so hard for us to do? Can something as small as buying a hamburger for an ungrateful homeless man be considered love? Can doing the dishes for our spouse be considered love? Can offering hugs to complete strangers be love? Yes, it can. But what else is LOVE and why does Indiana himself call love a "dangerous commodity"? And where do find our example of what love is?

God is Love. And Jesus ended up being the "dangerous commodity" that Indiana spoke about. Jesus' death became the "peril" of what love brings. He was the ultimate sacrifice of love. Maybe you don't believe in God or Jesus. That's fine. But, even the simple concept of God's love is something amazing. I can't imagine giving up my son, Noah, to die for any one human being, let alone all of human race. Regardless, the most fruitful example of love is found in Jesus. His care, love, compassion, and encouragement for the poor, needy, helpless, and disenfranchised is beyond any other religious, literary, fictional, or physical example we've even been confronted with. Bono has a great quote in an interview he did with Bill Hybels where he says, "You either have to believe that Jesus Christ was the Son of God or believe that he was a complete nutcase. Jesus was either Charles Manson... an absolute nutcase or, in my opinion, who He said He was."

To push these comments a little further, world-renown preacher/speaker/spiritual advisor, Tony Campolo made an appearance on "The Hour" one night and said about Bono, "Here is a guy who is a rock singer who has done more to articulate what Christianity is really about than most of we preachers. In fact, he says to be Christian is to commit to the poor and to the oppressed." Later on in that same interview, Campolo talks a bit about love and how it's portrayed in society (using Luke 25 as his basis): "I (God) am not up in the sky somewhere. I'm waiting to be loved in people who hurt. As you relate to people who are hurt, you relate to me. There is no Christianity that does not tie (Christians) up with the poor and oppressed of the world".

Jesus shows this example of love many times in the scriptures. "The least of these..." so-to-speak. But not only Jesus' example of love through who He is, but God's example of love my simply sending His son down from Heaven into a world that needed love more desperately than ever. Jesus was God's 55th & 6th sculpture. He was the purest form of love to give us, yet "God so loved" that he "gave". We were the poor and disenfranchised until God sent a love to real and pure we didn't have to be reminded; just shown what real love meant, what real love felt like.

Still, though, why do we need a simple structure of steel to remind us to love? A simple word and simple piece of art is all we have left as a physical reminder of God's gift to us. The world is denouncing Christ, taking Him out of our schools, and find every way to find truth without Jesus. I don't believe that's possible. I realize I've asked a lot of questions in this blog without answers, but I leave it up to you to truly seek what true love is; find it so powerfully that you don't need anyone or anything to remind you of it. Having Christ is the ultimate expression of love and by giving, expressing, displaying, and showing love we can make this world better. Of course, that doesn't mean we need to stop making art about it; we just need to make sure that it points to the most fantastic, unreal, and purest example of it. Jesus. LOVE.

"Music is my first love. To wake up early in the morning with a melody in my head is a great gift."
- Bono

Strat for Sale.

For those of you who play guitar, specifically electric guitar, do you have use a backup guitar? Along with my coveted PRS Swamp Ash Special (I covet it in a non-sinful way), I have a 1987 MIJ Fender Strat that I use as a backup. Actually, if I'm being totally honest, I hardly ever use it. I like the feel, tone, and play of my PRS so much that I can't not use it. It's an alright guitar and the 5th strat I've owned. I love teh sound of a strat and I don't think there's many guitar that are better and more versatile. However, I've had the unfortunate experience of never owning a strat I LOVE.

My friend Tim has a really nice Lonestar Strat that he got as a wedding gift years ago and I loved to play that thing. It had that undeniable strat-jangle and sounded like a strat in any amp it was in. Mine dosen't necessarily have that sound & feel to it and it's kind of depressing; I love strats so much but certainly can't afford to purchase one that's "the one" for me. My PRS does have strat capabilities by pulling of the tone knob and splitting the humbuckers (and engaging the Seymour Duncan Hot Rail single coil in between), but it just doesn't sound the same. Although it has a Strat feel, it has the Les Paul sound that is also awesome.

Anywho... I've been trying to sell my strat lately. It doesn't get used very often and I'm sure someone can give it a good home. I'll attach a picture and a link to some other pictures so if you (or anyone you know) is looking for a great electric guitar, let me know and we'll work out a deal. It does have some fretwear, but has been serviced and cleaned (before/after pics are in link) and gives it a "relic'd" look. It's a great guitar and needs a good home. I'm thjnking of selling it (along with a Fulltone Ultimate Octave and Voodoo Labs Microvibe) and buying some pedals I've had my eye on; I'm always looking to perfect the tone on my pedalboard.

Drop me a comment or email if you (or anyone else) is interested:
jcambers at gmail dot com




More pics here:
http://s115.photobucket.com/albums/n291/JamCam0702/1987%20Fender%20MIJ%20Strat/

My Favorite Albums of All Time

I don't think I'm too far off stating that the music industry has become a little bit stale over the past few years. The formula to making a 'successful' album is easily found on most pop records these days and this formulae has really dried up a lot of the truly great song-writers, musicians, and bands. Catchy lyrics, 4-chord progressions, a great melody, and anything not written by the actual performer are probably all goods starting points to writing a hit song. American Idol has re-popularized listener-friendly friendly pop music and the media's glorification of material possessions, sex, and women have even made the most terrible songs into hits because of content their lyrical content alone. And, the means of attaining music these days have become another problem; downloading an album over the net (whether free or not) have taken over CD sales and is causing a massive decrease in album manufacturing. So, to find truly original and undeniably great music you've really gotta search for it. The popularity of "indie" music, "brit-pop", and "the underground sound" have taken over, but most of these albums cannot be attained over the internet.

So, lately, I've been finding myself going back into my catalog of music and reintroducing myself to some of the most impactful albums on my life (both musically, instrumentally, and even spiritually). I'd be comfortable in saying that most musicians can recite some of their favorite albums of all time. I can only assume that some musicians can even remember the time/place they first heard 'that song' or 'that album'. Certainly, for some of these albums listed below, I can remember just those times & places. Whether it was a great solo, a great guitar tone, a catchy lyric, a melody or a moving chorus, the following albums have had everlasting impact on my musical development over the years. Yes, I'm sure there'll be others over to comes, but I believe it's also important to pay homage to those albums that have brought music to where it is today. So, here're my favorite and most inspirational albums of all time. These albums are in no particular order since they're all from different genres, eras, styles, and content. Feel free to comment with your Fave Albums in the comment section: I'd be interested to hear own opinions & styles. Enjoy:

• "Ten" by Pearl Jam (1991)
  
  - while I could have easily put Nirvana's "Nevermind" in place of this record, I chose "Ten" because of it's coolness factor as a guitar player. Stone Gossard and Mike McCready have some amazing guitar tones, riffs, and solo parts. While Nirvana started the grunge movement, this album opened the flood-gates wide. With Eddie Vedder's charismatic vocals, a tight rock element, subtle use of guitar effects, and a purely raw sound, Pearl Jam's "Ten" is one of the most successful and profound debut albums of all time. when I first learned my pentatonic guitar scale, I practiced it over the solo section in "Alive" for hours and hours (no lie). I learned licks from that 2-minute solo section and applied them to my own style that started me on my "lead guitar" journey.
  Must listen: "Alive", "Black", "Even Flow"
  
  
  
• "Any Given Thursday" by John Mayer (2003)
  
  I debated whether to include this album or not for two reasons: it’s a live album and it’s not my favorite John Mayer album. But, when I was living in Calgary I probably watched this DVD two or three times a week. Mayer was probably one of the first singer/song-writers I really got into. At a time when I was only listening to loud, heavy music I heard an acoustic version of “Neon” and was blown away. I checked him out and eventually got this live album & DVD. It really took me out of my shell and immersed me into a different kind of music. Even my guitar playing changed since, at that point, every solo I could play was shred. I stole a lot of licks, progressions, and structure from John’s playing and was introduced to a very important part of lead-guitar playing. “feel” and “emotion” (listen to “Lenny/Man on the Side” and “Covered in Rain”). You don’t get much feel when you’re shedding through a Metallica song, but John’s definitely got some SRV & Slow-Hand touch here. I even had a new-found respect for song-writing and acoustic playing (see “Neon” and “Message in a Bottle”).
  Must listen: "Covered in Rain", "Lenny/Man on the Side", "Love Song for No One"
  
  
• "The Alchemy Index: Volumes I, II, III, IV"" by Thrice (2007/2008)
  
  - this one is another difficult album to include because it's a 4-CD, 2-Volume concept manifesto. But, the way it’s made, produced, and conceptualized makes it one of my favorite volumes of music. “Concept albums” have always been sketchy with me, but this one really worked for me. It really showed the breadth and depth of Thrice’s musicality. Each volume is an interpretation of an element of the alchemist’s index; Fire, Water, Air, and Earth. Fire is a raw, loud, heavy. Water has lots of flow and groove to it, with some digital aspects. Air is rock, but melodic and vibrant. Earth is very down-to-earth, honest, and mostly acoustic. This manifesto covers many genres, styles, and tones of music and I invite any music lover to immerse themselves in this collection. It’s absolutely amazing.
  Must listen: "The Arsonist" (Fire), "Digital Sea" (Water), "Daedalus" (Air), "Come All You Weary" (Earth)
  
  
• "OK Computer" by Radiohead (1997)
  
  - As I stated at the beginning of this blog, music has become stale and formulaic. Every now and then, though, an album comes out that totally redefines that era’s music and reinterprets what music is to the artist. Radiohead’s OK Computer did just that in 1997. Although I enjoyed many songs from that record back then (I remember learning the tab of Paranoid Android from Guitar World way back then), it wasn’t until a few years ago that I was re-introduced to this album. It had as much impact on me 2 or 3 years ago as it did to the music industry back in 1997. Odd chord progressions, off-time beats, cryptic sounds, Thom Yorke’s muttering, eclectic guitar sounds, and electronic ambiance makes this album a staple for the music-lovers collection.
  Must listen: "Paranoid Android", "Airbag", "Exit Music (for a Film)"
  
  
• "A Collision" by David Crowder Band (2005)
  
  - as I mentioned in a previous post, the David Crowder Band is probably my favorite “Christian” band; furthermore, he may be one of my 3 favorite worship song-writers and the band has an immense amount of musical talent and creativity. Before this record, I wasn’t crazy over them. But, my friend Sunny persisted and I really dug this album. The use of rhythmic guitar textures, loops, and yet simple 4-chord progression worship songs really got me hooked. The simplicity of song-writing and worship meets the intricacies of rhythms, sounds, and digital syncopation. I was curious as to how DCB would relate this to a live situation and I was even more blow away when I saw them in November of 2007 in New York City. Their live sound was pristine and was almost identical to their studio records.
  Must listen: "Here is Our King", "Come and Listen", "Do Not Move"
  
  
• "Achtung Baby!" by U2 (1991)
  
  - U2 make great albums. Everyone knows that. But to pick a favorite from their illustrious 30+ year career and 12-album collection is quite the task. I pick Achtung Baby because it, like OK Computer, set a new bar for music at its particular moment in time. Achtung Baby mixed U2's unique rock sound with a dance sound and yet still stuck to their formulaic guns to make pop hits that garnered many #1 hits (One, Mysterious Ways, Even Better than the Real Thing). The Edge experimented with unheard of guitar sounds and made them work which really caught my ear. The envelope-filtered "Mysterious Ways" riff, 12/8 syncopated tremolo of "Acrobat", whammy-driven opener of "Even Better then the Real Thing", and industrial-thick distortion of "The Fly" make Auctung Baby the bar for guitar soundscapes and industry-changing albums.
  Must listen: "Mysterious Ways", "The Fly", "Until the End of the World"
  
  
• "Long Line of Leavers" by Caedmon's Call (2000)
  
  - the first time I heard this album, I was driving to Toronto to go see a John Mayer concert with friends, Sunny & Marc. Between the three of us, our 17-hour drive consisted of many different albums. Marc happened to pop this one in and although it wasn't my favorite "styles" of music at the time, I had never heard such an emphasis on great melody and relevant, honest lyrics before. I bought this album shortly after and really dove into it. Lyrical depth and unforgettable melody made this my favorite folk-rock/sing-songwriter albums off all time. This also lead me to be a big fan of controversial Christina song-writer, Derek Webb (check out his album, "The Ringing Bell". Fantastic).
  Must liten: "Dance", "Love Along", "Prepare Ye the Way"
  
  
• "mutemath (self-titled)" by MuteMath (2006)
  
  - as millennium rolled on, pop-music was becoming more and more a carbon copy of itself and was hard to find original and musically enriched artists... that is unless you were looking under the covers (or "the underground" as the kids call it). Using MySpace as a stepping stone, MuteMath came from out of nowhere and blessed everyone with a new and fresh sound. Mixing rock, psychedelic, neo-pop, and dance, MuteMath was the new sound everyone was waiting to hear. After their 5-song EP garnered some attention and their extravagant & energetic live performances garnered even more attention. When their self-titled album came out (produced by famous produce, Tedd T), MuteMath used MySpace as their only means of marketing and became an overnight (and underground) success. There hasn't been a keyboard/piano as a lead-instrument since Toto, and lead singer Paul Meany plays it to a tee. The ultra-talented band could make unbelievable music using spoons, a chair, dental floss, and a toilet. Using loops, pads, mega-tight drum & bass grooves, guitar-created soundscapes, a delayed-out Rhodes, and powerful vocals (all melodically, vocally, and lyrically) this album takes the listener on a cinematic journey over a musical one.
  Must listen: "Chaos", "Break the Same", "Noticed"
  
  
• "Re-Load" by Metallica (1997)
  
  - when 1996's "Load" came out, Metallica got into a bunch of heat from their fans for "selling out" because the album wasn't as "metal" as 1990's hugely successful "Black Album". Oh, and because they cut their long hair. But, Load had a few gems and the purest of fans embraced the new sound. Originally, the album was supposed to be a 2-CD collection, but the label pressed them into releasing it as one album and re-releasing the "rest" of the songs as a B-Sides item. Evidently, "Load" didn't fair so well so on the charts or with most fans, so they decided to try releasing the B-Sides as "ReLoad". I'm not one to say whether it was more or less successful than Load, but to me, it is one of my favorite guitar albums. Some of the riffs, though simple, are memorable and I spent hours with the tab book learning every song in and out.
  "The Memory Remain", "Fixxer", "Prince Charming"



• "Jesus Freak" by dc Talk(1997)
  
  - I'm pretty sure this was the first CD I ever bought. Sure, the song 'Jesus Freak' was the Christian song of its day, but this album has a few gems that were hidden in the shadows of the hugely successful title song; "Mind's Eye", "So Help Me God", and "Like It, Love It, Need It" were all great rocks songs with some very powerful riffage. Then, there are some "softer" tunes like "What if I Stumble?" and "In the Light" that really caught the listener's ear and, more importantly, heart. Strong lyrics, vocals, and plethora of styles really makes this an inspirational album, both spiritually and musically.
  Must listen: "Mind's Eye", "So Help Me God", "What Have We Become"
  
  
• "In Loving Memory" by Big Wreck (1997)
  
  - Ian Thornley is one of the most underrated guitar players ever. His riffs are awesome, his chops undeniable, and tones are my favorite of any guitar player. Oh, and he's the front man and does it all while singing fantastic & complicated melodies. His band were mega-tight and ultra-talented as well, but Ian obviously stole the show. This was especially evident after Big Wreck (unfortunately) broke up in 2002. Ian, however, went on to create his own solo rock-band, Thornley, in 2004 (I also recommend the album "Come Again" by Thonrley). Ian Thornley has a way of making his guitar sing louder than his piercing tenor & falsetto voice. He has some of the most amazing guitar tones and is a master at making guitar effects work )see #1 hit "The Oaf", "That Song", and "Blown Wide Open"). There's also some great slide-guitar tidbits on songs like "Look What I found" and the solo on "Under the Lighthouse"). You can probably find this CD for $3 on your local pawn-shop shelf. I recommend you start looking.
  Must listen: "The Oaf (My Luck is Wasted)", "Under the Lighthouse", "Blown Wide Open"
  
  
• "Scenery & Fish" by I Mother Earth (1996)
  
  - I neglected to put this album in since it's closely related to the Big Wreck album (after all, Canadian Rock of the mid-90's sounded too similar). But, then I played this album again and noticed a lot of sounds & grooves that weren't found in the Big Wreck, Our Lady Peace, and Finger 11 sounds of its day. Rather, Scenery & Fish is very rhythmically driven with Stuart Copeland-like drums, Tower of Power-percussion, lightning fast bass grooves, and Jagori's high-gain Hendrix riffs. For a a trio of musicians, they really beef up the sound and have a rock sound unlike any other band with their mix of R&B, Funk, and ethnic styles of music; all with a pop-sensitive attitude of melody and rock.
  Must listen: "Pisser", "Used to Be Alright", "One More Astronaut"
  

Other honorable mentions:

• "Albertine" by Brooke Fraser"
  
• "Not to Us" by Chris Tomlin
  
• "Morning View" by Incubus
  
• "Twenty Something" by Jamie Cullum
  
• "With Arrows, with Poise" by the Myriad
  
• "About a Burning Fire" by Blindside
  
• "Eat, Sleep, Repeat" by Copeland
  
• "Black Holes & Revelations" by Muse
  
• "Access:d" by Delirious
  
• "Falling into Infinity" by Dream Theater
  

Art vs. Ministry: Part 7

I'm not sure if this is Art or Ministry, or the best collaboration of both... but whatever it is, it's what I want...



David Crowder Band is probably my favorite "Christian" band. Evidently enough, Crowder is probably one of my favorite worship leaders/writers as well. He and the band have this way of melding instrumentation, worship, rock, ambient sounds, and noise to make masterpieces of music. The song above is an awesome live depiction of just what it is that they do so well.

Wanna know something else? Catherine and I were at this exact concert. It was at New York's City's Hammerstien Ballroom and was amazing. The Myriad opened and they blew the show away for me; they were the opening act.