"It's been a Long September and there's reason to believe..."

"Hi. My name is Jamie and it’s been over a month since my last blog". September has been one of the most exciting, memorable, and busiest months of my life. Every weekend I’ve been away, constantly busy, or trying my best to maintain sanity. As you can well imagine, it’s also been one of the most physically and emotionally exhausting months I’ve ever had. Where to begin? Well, why not start from the beginning.

I blogged here back in July about the return of my band. Not really a return, as such, but a rejuvenation. While we continue to write new material, think of new music, and start the recording process, we also got the chance to do something we haven’t done in months: play live. The folks at NYI Atlantic invited JSB to come out and lead worship for Sr High Camp at the Nazarene camp in Oxford, NS. So, my first weekend of September was spent at Big Lake Camp, not only helping provide worship, but just spending time with the students and making relationships. It was a great time and we had some good reflection from the weekend’s speaker, Luke Anderson. It was nice to get our feet wet and play to some folks that aren’t regular Spot attendees. We even got the chance to try out a new JSB tune as well as some new ‘covers’ which were all received.

The second weekend of September saw Catherine go to Ontario for some PRC training. That, of course, left me home with Noah. Catherine had never left Noah alone for that period of time before, so you can imagine we were both reluctant. But, he’s a great little boy and was well behaved for dad. Regardless, it was still an exhausting week as I both took care of him and had 3 playoff games in softball that week.

The next week was my much anticipated trip to Toronto to see U2 in concert. We left around 4:30am on a Wednesday morning and returned swiftly on Friday evening around 10:00pm. Upon my return, I was quickly thrust into more playoff softball games and into my church’s annual Spiritual Life Week services. Although it was a whirlwind trip, I had lots of fun with Ryan, Karleigh, and Kurtis and the concert was absolutely amazing. Even if you aren’t a big U2 fan, the stage itself was enough to entertain. It was an amazing spectacle and I can now die a happy man. (More photos can be seen here but here’s one of the four of us before hand and a great stage shot).




The next weekend, I played a Maritime Worship Workshop mini-tour that covered 4 shows in 3 days, in three different provinces. I was playing guitar for worship leader and Maritimer-gone-sojourner, Tim Milner. While attendance was not good for the services and it seemed we were doing more driving than playing, the music went well despite its expected rushed sound-checks and frantic band turn-arounds. I had a fun time playing and worshipping with other leaders like Loren Lewis and Dan MacAulay. I also had a few laughs at the expense of myself and others including the great sermon illustration, “… it’s like a baby falling off a change table and breaking both of its legs.”

This same weekend, on the Friday night, I also got a chance to see my homeless brother whom I haven’t seen in 8 or 9 years. This was a very interesting visit and was an emotional roller coaster for 1 hour of my evening. This deserves a blog in and of itself, so I will fill ya’ll in on that some other time soon, but I just wanted to fill everybody in on my busy September and talk about some other great things going on in my life. Until then,
Keep fit and have fun.

Great New Music

I think I commented a few blogs ago on what I thought of the current state of pop music. Even now, you’re hard pressed to find a trend-setting, mind-changing record come out that totally sweeps you off of your feet. Well, while some of these releases may not have changed my world of music, there have been a few that I thought necessary to mention; everyone loves a good listen every now and then. Here’s what I’ve been listening to lately and what’s been prompting me to write a bit differently and influence me as it pertains to recording the next JSB record.
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Thrice – Beggars

At first listen, “Beggars” is not your typical Thrice record. Although, you’ve got a light “scream” or “yell” here and there, Thrice haven’t completely left their post-hardcore sound behind. The prototypical pop-rock and Brit-pop influences have been subtly added to the familiar hard-rock/prog-rock sound in songs like “The Weight”, “Beggars”, and “Circles”. Add Teppei's soothing electric piano sounds, Dustin ethereal guitar textures and soaring melodies, layered vocals, and tight bass & drum grooves and you get a great body of work by Thrice whom also self-produced/engineered the album. Although I wasn’t as blown away with Beggars as I was the “Alchemy Index” volumes, Beggars is not a far cry from what you’d expect from the ever-evolving band of uber-talented Orange County countrymen.
Akthough I would never consider Thrice a Christian band, singer and primary lyricist Dwight Kensrue is open about Christian influence in his life. Again, Thrice's lyrics are immersed in a lot of biblical imagery and examples of Christ's teaching. "In Exile" hints has a Psalm-like longing for Jerusalem, "All the World is Mad" takes notice of man's fall from sinlessness to its loss of perfection, and "At the Last" seems to reflect teh thoughts of the Prodigal Son. Whether the lyrics are truly biblical annotations or not (I believe they are), the lyrics are just as thgouth provoking and true while the music takes you on many levels from loud to melodic ballad. While it sits second or third on my list of fave Thrice albums, I still reccomend it to anyone looking for seomthing loud, yet melodic and musical.

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mutemath – Armistice

Honestly, who wasn’t waiting for this record to come out? It’s been a long wait since 2006’s self-titled release. I’ve been following the various scattered vlogs, blogs, and youtube vids since the beginning of the recordings, and I’ve been anxiously awaiting to hear it. Paul Meany said two interesting things during the making of this record that made me question whether I’d like it not. First, he said, “Our goal is to embarrass the first record, that's what we're trying to do here, and I think we're on point to pull it off” then adding, “Anyone who thinks first album is perfect will hate this [new] record”. I quickly became cynical in the possibility that MM “sold out to the man” and made a record the labels and MTV-cronies would want while leaving behind the sound that make them who they are. I was wrong.
While some of Armistice’s song structures follow a familiar pop-formula, MM still take you to sonic territory that not many other bands do. I am certainly interested to see how some of these will be performed live; I don’t doubt they’ll deliver one of the greatest lives shows. From the opening statement of “set it on fire!” on the opening track “The Nerve”, MM light it up on every track. From a Stevie Wonder-esque “Armistice” to a jazzy “Pins and Needles” to the Brit-pop rip-off track “Goodbye” to the Radiohead-like outro in “Burden”, mutemath take you on a roller coaster of soundscapes. Though not extremely known in the mainstream, I can’t see how Armistice gets passed by for some Grammy nominations as this record has certainly surpassed their previous release and EP.

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Derek Webb – Stockholm Syndrome

This is another album I was following the progress on through Derek Webb’s Twitter account. What makes this release so interesting is the controversy that came along with it despite Webb being a well-known Christian song-writer and member of Caedmon’s Call. Derek’s INO record label wouldn’t let him release the album based on some controversial content, and some particular lyrics found in the song "What Matters More" (which contains the words "damn" and "shit" which, ironically, came from a popular quote by well-known theologian Tony Campolo). Derek and INO decided to agree upon releasing the record with a censored version after Derek took the liberty of making a digital copy of the album (along with other goodies) available on his website.
Lyrically, Stolkhom Syndrome doesn't stray too far from Webb's other albums where he often dances the line between what is spiritually acceptable in the Christian music market. Songs like What Matters More, What You Give Up to Get It (about the prominence of materialism) and Freddie Please (which is a response to anti-gay activist preacher Fred Phelps) contain material that often offend the squeamish of Christian cynics. Musically, however, Webb takes a 180° turn. Derek, along with co-writer and producer Josh Moore, trades in his guitar for midi controller, samples, techo-beats and many electronic sounds. While its boggling to imagine how Webb would re-create this album to his regular coffee-house crowd, Derek creates something really different and special with this album. There's a lot of toe-tapping grooves (Spirit vs Kick Drum) while also taking you on fragile soundscapes (The Proverbial Gun). If you enjoy blending sounds from the likes Radiohead, Wilco, and Muse then you might like Stockholm Syndrome. However, if you are hoping to pick up a singer/songwriter acoustic album from Webb, buy something else; this is not for you or the light-hearted Christian for that matter. Webb has some really challenging things to sing about, especially for the conservative dogmatist.

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Leeland - Love is On the Move

Leeland's debut album, The Sound of Melodies, took everyone by surprise with its mature worship-rock style of writing from a mere 16 year old Leeland Mooring. However, their sophmore album, Opposite Way, was mediocre in my opinion as they left a lot of their worship-tinged tunes behind for some straight up rock ballads (which are pretty good, mind you). Luckily, Love is On the Move returns to a more worship-centric genre and really create some great tunes including the hymn-like Via Dolorosa, Weak Man, and My Jesus.
Taking a familiar step with having well-known Christian-music producer Ed Cash come on board to engineer the album (and even help write a few songs), Leeland continue their quest to make great worship music while also entering the heights of great worship writers like Tomlin, Hughes, Redman, and the Neufeld brothers. This album is a great pickup if you liked Sound of Melodies, yet does bring some sparkle left behind by some great gems from Opposite Way like "Count Me In" and "Enter This Temple". I'm not overly gaga over it yet, but I've only given it one or two listens straight so the more I listen to it, the more the melodies will stick with me.

The Psychology of Guitar - Satriani

Back in '98 or '99 my friend Tim got me to watch a VHS video of "G3 Live" which featured guitar greats Joe Satriani, Eric Johnson, and Steve Vai. Since I had only been playing guitar for a few years at that point, the stuff these guys were doing was insane and I had never heard/seen anything like it. From that point on, I was hooked on "shred". Now, 10 odd years later, my tastes have somewhat changed, though I still love to listen to virtuoso guitar players demonstrate their licks.

Last weekend I saw one of my favorite guitar players in concert. Although not one of his solo concerts (which had Chad Smith of RCHP not been playing drums, I would have preferred), Joe Satriani was playing with his super-group, Chickenfoot. When you have a group of musicians individually in tune with all aspects of their instruments in one band, you've got to realize that there're going to be some jams and big solo time. Joe had that a few times, and it was fun to watch one of the guitar greats play his like crazy. The thing I like most about Satriani is not how fast he can move his fingers, how many notes he can play in one second, or what tricks and gadgets he uses to strut his stuff (although they're all great). It's his concept of music theory and his use of that theory (primarily, modes) to create some of the most unique melodies. Sometimes with great guitar virtuosos, you just want to hear the solos or the really fast stuff. With Satriani, its how he uses his guitar to sing the song, not just blow its socks off.

Songs like "Always With Me, Always With You", "Raspberry Jam Delta-V", "Flying in a Blue Dream", and "Starry NIght" not only have cool riffs and semi-regular chord progressions but they contain a melody heard throughout the song, but carry different modal forms that still carry the integrity of what's being 'sung'.

In the following videos (two parts, about 8.5 minutes each), Joe talks about two things that really interest me about his technique and that I really want to apply to my own playing. In the first part, he talks breifly about the "psychology" of playing guitar and how modes can really transport the "feelings" or "emotions" of your playing to the audience or piece of music. Up until about 5:04, Joe shows the many modes there are and he blends them together to make a really unique little jam. At around 5:04, Joe begins to talk about interactive emotions of playing. It's pretty cool...




In the next video, Joe talks a bit about playing "outside the box". That is something I've struggled with in my own playing. Primarily, most of my lead work is done either in church or with JSB where I don't get to explore outside of a major, minor, or even Aeolian scale (kind of a mixture between the two). But here, Joe gives some tips and ways to play outside the box without stepping on a melody or chordal structure. At times, you may have to change a progression slightly (like not resolving the root of chord), but by learning the triads and structure of how one or more modes work together, you can really explore the fretboard.

"out-side of the box"


This is obviously a video for guitar geeks and players who are really into the mechanics of music theory, but it's even just cool to watch him play a similar melody but in different mode to completely change a style or feel of a sound.

Rock on.

Arts vs. Ministry: Part 10 - Baby Blue Prints

So, it’s probably not news to many who know me personally, but Catherine and I are now expecting our second child. While it did come to us as a surprise last Monday, part of me said “it figures”. Another child was in our own plans for the future, but not this soon. At a point where it felt Catherine and I were making some progress on where our lives may have been taking us next, God throws us a curve ball.

He does that.

We to realize it’s just another part of the journey; another thing God is preparing us with. Another responsibility he’s blessing us with. He does that.

Of course, this is where the old adage “all in God’s timing” comes in. I’m semi-grateful for that because I'm always keen to understood His timing. I always thought that the whole desires of our hearts verse had a sense of immediacy to it. I was wrong. “Trust in Him and He will do this” does not mean God will provide my desires as soon as I find myself in a place of delighting, obeying, and pleasing Him. Rather, as you continue to read Psalm 37, the promise of God fulfilling your desires requires more thought and duty: “Be still before the LORD and wait patiently for him; do not fret when men succeed in their ways…” ("37:7a"). I am impatient and sometimes envious of others.

I’m sure a lot of people share these same feelings, but when you see someone with something you like/love and want/need, and begin to long for it, that is envy. If it gets out of hand to where those things become something to replace more important things in your life, it becomes idolatry. For example, I’ve got a number of friends who are in positions or situations I wish I could be in. Either playing music for a living or are in a creative/musical environment that I wish I could be involved in. Sometimes I envy that. For example, a couple of weeks ago, I got asked by an old friend in Calgary to move there so I can be apart of a musical project. It’s with a country artist who’s expected to be the ‘next big thing’. A few months before this, it was suggested by another friend that I be apart of another musical project which would also require a move to Calgary. While that sounds fun and exciting, it’s another thing to get up and move my family across the country to an enormous city where the cost of living is 4x as much as it is here in Moncton. Even without these opportunities for me, Calgary seemed very intriguing to Catherine and I. Her sisters both live there, we have many close friends there from our University days, there’s more opportunity for Catherine in her field of work (at twice the salary), and we just love the city. I won’t even mention it’s the home of my favorite sports team. But is this what God wants us to do and where He wants us to go? I wish it were as easy to say “yes, we’ll move to Calgary and all our dreams will comes true”. But here’s where our struggle lies… Is God slowly and subtly showing us a new plan for our lives by tickling our fancies or are our own ambitions and desires overshadowing another plan He has for us? After all, God wants to give us the desires of our hearts… right?

Sometimes, it’s hard to see the things that you desire and long for coming to fruition in the lives of others. But, it’s no secret God has different plans for each of our lives. God knows what is best for our own lives and gives us blessing upon what we’re capable of handling. We are told to "guard well" the things God has entrusted us with. Blessing just doesn’t stop with what’s been given to us. We are also supposed to use those blessings to keep giving glory, honor, and praise to Him. I’ve always maintained that wherever He leads, I will be quick to follow. Whatever cards I’m dealt, I’ll play. Whatever I’m given, I’ll be happy with. It's hard sometimes, but I try.

While the prospect of another new human in the house and both exciting and terrifying, I cannot let myself believe it changes God’s plan for our lives. Rather, it’s another way that God shows us His good and perfect will for our lives. Another child further expands our usefulness for sharing God’s love and faithfulness. It doesn’t change God’s plan for us; it just alters our own view of what that plan is for us. I still believe the things we long for will come to fruition, but not in our timing, not in our desired moment, nor in our own blue-print.

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I must add, now that I've read over this, that I am not ungrateful or dissapointed with the arrival of a new baby no matter how scary and trying it will be. While I will not argue that being a parent is often frustrating and exhausting, watching Noah from day 1 to day 511 has been an absolute, pure joy and there's no explanation to how much happiness he brings to our lives on a daily basis. I can honestly say I look forward to see that happen in another child we've created and seeing God's process work in our ever-expanding family.

The Return of JSB?

Back at the end of June, I got together with my Jeff Somers Band-mates for a BBQ and “state-of-the-union” address. Basically, we wanted to re-evaluate where we were as a band and get a feel for everyone’s intentions for the band and where its importance lies in each of our lives. After some good food, good laughs, and a few memories, we sat down and discussed “what’s next for JSB?”

Without getting into too much detail, we thought it prudent to go back to the roots of what JSB was/is all about: worship. JSB grew out of a monthly worship gathering called The Spot where our sole purpose was to lead others into a place of intentional, spirit-lead worship. We all expressed our interest in re-visiting that and making the priority. Not that that purpose ever left us, but there was a time where be might've taken our focus off of the local church and try to take it elsewhere on our own accord. then again, we were blessed to have never pro-actively make things happen for ourseleves; God blessed us with many things: oppurtunities, gigs, relationships, finances, etc.

When our first record, The Origin of Moonlight, gained a bit of steam from local and national radio, we tried to push ourselves to really make thigns happen. But, after a few band-member changes, failed attempts to gain funding for another record, and committment/priority/family/vocation changes, we never fully got to feel the full effects of Origin's momentum (despite being nominated for a few CGMA Covenant Awards in 2006).

So, back to our BBQ discussion, we thought it might be wise to try and “start over” form where we began and focus back on the worship scene in our local church scene. And, hey, if that leads us to other places, venues, and experience then so be it. Also, we thought it’d be fun (and quite possibly necessary) to express ourselves creatively by writing and demoing for a new album. Sunny has quite the home-studio now and it will be our goal to use that space to demo some songs and take the journey to try (again) to make a record we’re all creatively, spiritually, and influentially responsible for. That excites me.

It's been about a month or so, and we've written about 3 or 4 songs (or song ideas). I don't have any capable recording devices so I've been using the mic on my iPhone to jot down some ideas and song-snippets. It's been fun for me because I feel that I've been so creatively drained over the past year or two that I've got plenty of ideas for possible new music. I'm not saying they're any good, but ideas none-the-less. While I also admit that I don't have as much experience/ability with writing as Jay or Sunny do, it's been nice to spread my wings and get some input from them on some ideas (and vice versa). I imagine it'll be a long process, but just the thought of writing another record excites me immensely. There's no pressure, no due-date, and nobody pushing us to get something finished, so I believe that really gives us the freedom and time to make great worship songs we enjoy playing and sharing. And while we'll use our rehearsal times to practice for The Spot (and any other worship oppurtunites that come our way), we don't have to put any pressure on ourselves to "make something happen" for JSB. We can let the spirit lead us wherever it wants to take us. I think that's an exciting thing.

Stay tuned and I'll keep ya'll posted on any updates on JSB-happenings.

http://www.jeffsomersband.com