Who I am

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Moncton, NB, Canada
Christ-follower. Husband. Dad. Worship Leader. Pastor. Musician.
Showing posts with label worship. Show all posts
Showing posts with label worship. Show all posts

Wednesday, April 21, 2010

What Does Your Worship Cost?

I recently bought some fencing for my backyard through a connection at my work. My company supplies industrial parts for a local fencing company and I asked if he might be able to get me a deal on a 25 foot length and a gate. He said to me, "Of course. I'll see what we have lying around and put something together for you." Maybe I'm just naive, but by his tone of voice and the "wink-and-gun" he gave me, I thought that meant "free fence". The next day I got a quote. Now, I did get a good deal and still have the laborious task of putting it together, but it was not free. It cost me money. The old adage "nothing in this life is free" certainly applies here and for most aspects of our lives. This includes our worship which I've come to discover by reading 2 Samuel 24:18-26 (NIV).

David disobeyed God's orders 2 Samuel 24:1-9. To atone for that disobedience, God gives David three choices of punishments. Behind door number one, three years of famine. Door number two, three months of "fleeing from your enemies". Door number three, three days of plague on the local Israelites (24:13). David pancaked at the choices and God chose to be swift and sent a pestilence across the land for three days. 70,000 people died. Basically, my whole hometown of Moncton disappeared over under the wave of an angel's hand. Gone.

God ordered the calamity to be stopped just as the Angel was reaching Jerusalem, at the threshing grounds of Aranuah the Jebusite. A threshing floor was an open area outside a city where the edible part of a grain (or other crop) was loosened from the stalk or chaff that surrounds it. When David was asked to make a sacrifice on behalf of the people to stop the pestilence on the land, Aranuah's threshing grounds became the site of the burnt offering.

Aranuah, both surprised and excited to see the king coming to his workplace, bowed and greeted the David with astonishment:
"Why have you come here of all places?"
"To buy your stuff so I can make an appropriate sacrifice for the people."
"Pffft. You don't need to buy it. Just take my threshing floor, my tools, the oxen for the burnt offering, and wooden yokes for making a fire. They're yours! Free of charge."
Then David said something that has really stuck with me lately:
"No, I insist on paying you for it. I will not offer burnt offerings to the LORD my God that cost me nothing. So David bought the threshing floor and the oxen and paid fifty shekels of silver for them" (v24).

I will not offer anything to God if it costs me nothing.

David could have easily accepted Aranuah's gift of items for the offering. Instead, David knew that God required more than just free stuff to ward off the plague that decimating the people. There wouldn't have been any honor, price, or sacrifice in burning somebody else's precious commodities. Instead, he declined the gift and gave 50 shekels of silver for the pieces necessary for proper sacrifice. King David likely had everything he's ever needed. He was given all prestige and respect by his people. Yet he was humble enough to know his own King, God, deserved more; a true offering of value that costs something.

Not only have I been trying to live that out in my life, but I've been really trying to live that out as a worship leader. Whether you're leading a congregation in worship or you're a part of the band, what does it cost you to worship your God? I'm not talking about the cost of that cool guitar pedal or preamp you just bought. Ask yourself...
What is my sacrifice as I lead today?
What am I leaving behind as I lead others?
What am I leaving out as I lead others?
What is it that I've been wanting to add to the worship experience that I've been scared to do before?
What do I really want to say or do as I worship?
How do I honestly feel about my God this morning?
How can I challenge myself or the congregation?

It's so easy for leaders and musicians to strap on their instruments each week and just play. I've done it for many years. Last Sunday, I decided that I wasn't going to let my self-consciousness or my pride hinder what I do as a leader. I wasn't going to follow the service order. I wasn't going to be distracted by what people thought of my vocals. I was not going to let how others were (or were not) worshipping affect that way I worshipped. I was going to play guitar like it is the gift that was given to me. Because I did that, something cool happened. I felt the Spirit work through me. The Holy Ghosts became a tangible presence to me. My worship felt true and accepted. That felt awesome and it didn't cost me a cent; just some possible embarrassment and my pride. As a Mastercard PR might say, my experience was "priceless".

What sacrifices are you making when you lead? What does your worship cost you?

Thursday, February 25, 2010

Speaking to the Deaf

Today at work, I served an older deaf man whom came in to my workplace looking to buy some bearings. The man came in, unloaded some broken pieces and parts of whatever he was working on onto the counter and started pointing. At this point, I didn't know he was deaf (deaf people don't look any different, apparently). I started to ask some questions about what exactly he wanted and he continued to glare at me and point at broken pieces. This went on for 30 seconds or so until he angrily grunted, whined, and frantically shove pieces together in an attempt to show me what he needed. I still didn't understand what he wanted at this point, but I did then realize he was either mute, deaf, or both. A few moments later, his friend walked in and tried to translate for me. However, there was more communication breakdown as I found out the deaf man didn't read lips, didn't know sign language, and both gentlemen spoke very little English. After much deliberation, I found the parts the man needed, but didn't have them in stock. The deaf man probably left as frustrated as I was.

I went back to my desk and complained to my associate about the deaf man's inability to communicate despite his aural disability. I then began to think about my own communication skills and what the man might have thought about my attempt to find the man's needs. I can't imagine I was any more sympathetic to him than he would have been to me. Was I being a good listener? Despite several frantic attempts to get my attention, we never quite ended up on the same wavelength nor was I able to help him in an efficient manner.

Then I began to wonder if God gets that easily frustrated with us. We point to the broken pieces in our lives. We stare at an invisible God with glazed eyes and frantically show Him what we want. We ask simple questions. We mumble our prayers. We don't read God's mind and sometimes we don't even speak His language. Sometimes, we are a deaf people, quiet to our own God's ears. Sometimes it feels our message just doesn't get through.

Yet, God is not deaf. He speaks our language. He hears our prayers. He answers our prayers. That's when we need to realize that God doesn't need to be told what our problems are; he knows them. He doesn't need us point our fingers; he knows where the problem really is. He loves us that much. God sent His son Jesus to understand us better; to feel and experience exactly what we do. Think of Jesus' experience in the Garden of Gethsemane. He struggled to make sense of his story. He assumed the beatings, the humiliation, the pain, the death and practically begged for their to "be another way". But, there wasn't. Though Jesus wept, prayed, pointed fingers, struggled, His voice did not go unheard. His Father heard every word, but Jesus' story went on.

His story = history.

And so does ours. We're not always going to get the results we want. We are not always going to get the answers we want. We cannot demand or expect anything from God. Rather, he demands and expects from us. Unanswered questions, unaccomplished attempts at our own dreams, and unfulfilled situations are all a part of our story. We're called to be a listening people. "My sheep listen to my voice; I know them, and they follow me" (John 10:27). Though God wants to hear our requests from our own lips, He knows our real needs, desires, and answers. We will not hear His word to us if we're always talking, asking, inquiring, and demanding from Him.

This is where the Holy Spirit comes in handy. The Spirit is the fine line between asking and demanding; talking and listening. I didn't have a "spirit" or interpreter between the old deaf man and myself. If I did, things would have been a lot smoother. But God gives us the Holy Spirit as a catalyst for communication with Him. Not only does the Holy Spirit send our "message" to God, but t also returns the favour.

"And I will ask the Father, and he will give you another Counselor to be with you forever - the Spirit of truth. The world cannot accept him, because it neither sees him nor knows him. But you know him, for he lives with you and will be in you" (John 14:16-17).

So when we're fighting or struggling with an issue, talk it out with God but don't forget to let Him speak back. Because if we're doing all the talking and not listening for any of His wisdom, we might as well be speaking to the deaf.

Wednesday, December 23, 2009

My Favorite "M"s of 2009: Movies, Music, Memories

Wow, it's been October since I last blogged. That's a long time. My apologies. I've either been really boring, had nothing to say, or have wasted all my thoughts and happenings on Twitter. Actually, all of the above apply but I figure what better way to end a year of incessant blogging with my annual "Best Of..." blog where I tell you all about my favorite movies, music, and memories of 2009. So, let's go:

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MOVIES:

Favorite Movies of 2009:


STAR TREK - I'm not a Star Trek fan, but this movie was pretty spectacular. And, loving anything JJ Abrahms does helps a lot. casting was great and was far from "geeky".

Avatar - I wasn't gaga over the storyline (since it's one we've all seen before), but the visual "experience" in the theater is amazing. It's like Jurassic Park, Pocahontas, and Star Wars in a blender... in HD... and 3D.

State of Play - great acting, great story, and great twists. Definitely a drama you've gotta catch if you haven't seen it. The ending was really good.

Inglorious Basterds - in my opinion, Tarantino's best work. It read like a novel (that you watch) and had amazing dialogue (though there was often too much of it). I had no idea what would happen next and was not disappointed.

X-Men Origins: Wolverine - well, I've got a soft spot of Marvel Comics, and although Wolverine is one of my least favorite of the x-Men, the story was great and tied in nicely with other Marvel universe stories and characters. Can't wait for X-Men Origins: First Class

The Hangover - this was funny. If not for the dirty pictures/scenes during the closing credits, I would have loved this movie, but I found them uncalled for. It would have been better if we were left not knowing what happened during the bach party. Zach Galifianakis is freakin' hilarious.

The Reader - although it was nominated for multiple awards in last tears' Oscars, it was still released in 2009. Kate Winslett had an amazing role and the story was excellent.

Honorable Mention:
Paul Blart: Mall Cop
I Love You, Man
The Road

Worst Movies of 2009:


Transformers: Revenge of the Fallen - I don't even want to talk about this one. It was terrible. Terribly terrible. Even Megan Fox was terrible in every way. I still Ike Shia Labeouf, though.

Knowing - any suspense/action movie that Nicolas Cage is in is almost always terrible. the ending was really bad.

Adventureland - what I was hoping would be a funny flick turned out to be a depressing, annoying lump of coal.

Yet to See:
Up
Public Enemies
The Informant
2012
Up in the Air
Bad Lieutenant
Crazy Heart

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Music

Favorite Albums of 2009:

Seabird - 'Til we See the Shore
Though none of these categories are in any particular order, this was easily my favorite album of the year. Like a non-depressing 'Copeland", Seabird have fantastic melodies, groove, and catchy pop-tastic songs... all lead by piano. The title track is on non-stop on my iPod.

Derek Webb - Stockholm Syndrome
I will admit it. Derek Webb's twitter ramblings about this new record had me scouring to follow its release over the net. Yes, it was self-hyped but I still love it and is unlike anything he's put out before. Derek Webb is constantly changing his sound, and this one was particularly welcome.

Future of Forestry - Travel: Vol. I & II
FoF released two 6-song EPs this year so I'm counting the first two of the 4-volume manifesto as one record. I followed the process of this record and it's seriously great. Especially since The Myriad hasn't released anything in what seems like forever.

MuteMath - Armistice
awww, the long-awaited followup to MM's self-titled release. I wasn't disappointed. Production is great and although their style may have sightly changed, the sound didn't and I love this record.

U2 - No Line on the Horizon
It's U2. Have they ever put on out a bad record? Yes, I'm including POP. I loved POP. It took me a while to dig this album, but once I did, I had to go see them live. So I did. It was awesome.

Paramore - Brand New Eyes
I though Paramore's record would be more of the same pop-punk from RIOT!, but they added some styles and sounds you wouldn't find on any other Paramore release. It's a good'un.

Kelly Clarkson - All I Ever Wanted
The production on this album is fantastic. And while it's not as good as 'Breakaway", it's leaps and bounds better than "My December"



On the Fence:


John Mayer - Battle Studies

it's not that I don't like this album, it's just that's it's so much different than JMs other records. It's a lot less blues/rock and a lot more 1970s rock/pop/ballad. Most notably, it's a lot less memorable for me. There are still some tasty tracks, though.

Christy Nockels - No Not One
I like half of the album. The other half I dislike. A few choice songs, Nathan Nockels' production value, and Christy's amazing vocals save this album from being a complete disaster

David Crowder Band - Church Music

Let me say that I don't hate this album. but I don't love it either. There're a few tracks I really dig but there are just more tracks that I disliked. I found it over-produced. DCB overuse a lot of sounds, tracking, and loops which take a way from Crowder's strong worship writing and instrumentation. I was hoping "Church Music" would explore a biblical or historical view of chruch music throughout Christendom. Rather, they just tried to make a record to please a few ears.


Switchfoot - Hello Hurricane

Most will agree that Switchfoot's best release was "The Beautiful Letdown" and while no one else seemed to like "Oh, Gravity" as much as I did., Swicthfoot's latest release didn't live up to either, in my opinion. That being said, it's the next best thing and there're some stellar tracks that I really dig.


Most Dissapointing (but not terrible) Albums of 2009:


Metallica - Death Magnetic

Metallica tried to get back to the "classic" Metallica sound/arrangement. They were close, but not as good as past releases. However, it's still far better than Some Kind of Monster. Far Better.. Lars turned his snare drum on and may have used a click in some parts.

Thrice - Beggars
I also followed the recording of this record via blog, but I wasn't pleased with this self-produced/self-engineered project. I especially hate some of the drum sounds and the song-writing has seemed to lose some edge to it.

Muse - The Resistance
Again, I don't gate this record, but if I wanted to hear orchestral music, I would have bought something else. Though I understand the musical genius of Matt Bellamy and Co., I just didn't "get" this record. Half of it is classic Muse sound while the other half is Bellamy showing of his classical piano chops and orchestral arrangements. I imagine it'd still be quite the sight to see live, though.

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Memories

- this year I got to see a lot of great concerts which included my first U2 experience, seeing rock-and-roll pioneer Paul McCartney, my favorite guitar-virtuoso Joe Satriani in his supergroup Chickenfoot (which, while kind of lame, also included RHCP drummer Chad Smith), and one of my childhood favorite bands in Stone Temple Pilots. I also saw OLP for the 4th time, Finger Eleven for the 5th time, and Sloan for the 2nd time.

- watching Noah grow from a baby to a toddler has been a cool experience for Catherine and I. He's a brave little boy and his vocabulary is amazingly extensive at this stage in his life; he's almost putting together coherent sentences. Almost.

- although the news of having another baby was initially frightening to Catherine and I, we made it a point to make sure we saw this as a blessing and something that God has intrusted us with. Though Noah is sometimes too full of energy, has his odd tantrum, and still has some issues with sleeping through the night, he's becoming more and more joyful to teach and parent each day. He's such a joy to us and we can't wait to have more of that in our lives as we await the arrival of another boy at the end of March.

- I'm still trying to come with grips as to why I'm still stuck at the same job after nearly 5 years. I still truly believe that God has a ministry and/or vocation for me on the horizon but I have yet to know what that is. Trusting and awaiting God's will for my life becomes the most difficult thing in my Christian walk, yet I see the foreshadowing in small ways on a daily basis. This year, I was really hoping God would provide me with a musical outlet that I'd be able to express myself with; unfortunately, that hasn't come. Although JSB has been a tiny bit more active then in years past, I still long to find a musical outlet God can use all of my abilities and gifts.

- In November, we moved into our first home and that was a story of God's timing, will, and love for us. Although it's hard to see some months where the mortgage payment will come from, we believe that God would not provide us with such a wonderful home and not provide us with a means to afford it. We found a home that met all our needs and wants in a home and for a price that only He could have blessed us with. The whole process was smooth and the situation was absolutely laid out by God's hand for us. We're always grateful for a roof on our head, but having one you own is that much more gratifying.

- our church has seen some great growth, both spiritually and numerically, which has been really needed and gratifying. The work our Pastor and leadership have put into making Lutes Mountain Nazarene a small thriving church is amazing. Though the church is in a financial tough spot, God continues to bless it in other ways and the church remains faithful to wherever He leads. We're looking forward to serving again this year and see what God has in store for us next.

- my dad retired from the Royal Bank after 37 years of work. That's quite a feat, espeically while doing it at only 57 years of age. To celebrate the momentus occasion Dad and I made a whirlwind trip to Toronto to watch a hockey game (his Leafs versus my Flames), visit the Hockey Hall of Fame, and eat at my favorite Toronto eatery, RichTree. It was a great weekend and I'm happy we got to spend it together. Dad was very honoured by our gift and had a great time.

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so that's my year in review. stay tuned for some more blogs soon, likely about Christmas and other goodies. I promise to do this more often. It's fun and helps waste a few minutes at work when it's not busy.

Merry Christmas and Happy New Year from the Cambers family.
Jamie, Catherine, Noah, and Morris.

Tuesday, August 25, 2009

Great New Music

I think I commented a few blogs ago on what I thought of the current state of pop music. Even now, you’re hard pressed to find a trend-setting, mind-changing record come out that totally sweeps you off of your feet. Well, while some of these releases may not have changed my world of music, there have been a few that I thought necessary to mention; everyone loves a good listen every now and then. Here’s what I’ve been listening to lately and what’s been prompting me to write a bit differently and influence me as it pertains to recording the next JSB record.
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Thrice – Beggars

At first listen, “Beggars” is not your typical Thrice record. Although, you’ve got a light “scream” or “yell” here and there, Thrice haven’t completely left their post-hardcore sound behind. The prototypical pop-rock and Brit-pop influences have been subtly added to the familiar hard-rock/prog-rock sound in songs like “The Weight”, “Beggars”, and “Circles”. Add Teppei's soothing electric piano sounds, Dustin ethereal guitar textures and soaring melodies, layered vocals, and tight bass & drum grooves and you get a great body of work by Thrice whom also self-produced/engineered the album. Although I wasn’t as blown away with Beggars as I was the “Alchemy Index” volumes, Beggars is not a far cry from what you’d expect from the ever-evolving band of uber-talented Orange County countrymen.
Akthough I would never consider Thrice a Christian band, singer and primary lyricist Dwight Kensrue is open about Christian influence in his life. Again, Thrice's lyrics are immersed in a lot of biblical imagery and examples of Christ's teaching. "In Exile" hints has a Psalm-like longing for Jerusalem, "All the World is Mad" takes notice of man's fall from sinlessness to its loss of perfection, and "At the Last" seems to reflect teh thoughts of the Prodigal Son. Whether the lyrics are truly biblical annotations or not (I believe they are), the lyrics are just as thgouth provoking and true while the music takes you on many levels from loud to melodic ballad. While it sits second or third on my list of fave Thrice albums, I still reccomend it to anyone looking for seomthing loud, yet melodic and musical.

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mutemath – Armistice


Honestly, who wasn’t waiting for this record to come out? It’s been a long wait since 2006’s self-titled release. I’ve been following the various scattered vlogs, blogs, and youtube vids since the beginning of the recordings, and I’ve been anxiously awaiting to hear it. Paul Meany said two interesting things during the making of this record that made me question whether I’d like it not. First, he said, “Our goal is to embarrass the first record, that's what we're trying to do here, and I think we're on point to pull it off” then adding, “Anyone who thinks first album is perfect will hate this [new] record”. I quickly became cynical in the possibility that MM “sold out to the man” and made a record the labels and MTV-cronies would want while leaving behind the sound that make them who they are. I was wrong.
While some of Armistice’s song structures follow a familiar pop-formula, MM still take you to sonic territory that not many other bands do. I am certainly interested to see how some of these will be performed live; I don’t doubt they’ll deliver one of the greatest lives shows. From the opening statement of “set it on fire!” on the opening track “The Nerve”, MM light it up on every track. From a Stevie Wonder-esque “Armistice” to a jazzy “Pins and Needles” to the Brit-pop rip-off track “Goodbye” to the Radiohead-like outro in “Burden”, mutemath take you on a roller coaster of soundscapes. Though not extremely known in the mainstream, I can’t see how Armistice gets passed by for some Grammy nominations as this record has certainly surpassed their previous release and EP.

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Derek Webb – Stockholm Syndrome


This is another album I was following the progress on through Derek Webb’s Twitter account. What makes this release so interesting is the controversy that came along with it despite Webb being a well-known Christian song-writer and member of Caedmon’s Call. Derek’s INO record label wouldn’t let him release the album based on some controversial content, and some particular lyrics found in the song "What Matters More" (which contains the words "damn" and "shit" which, ironically, came from a popular quote by well-known theologian Tony Campolo). Derek and INO decided to agree upon releasing the record with a censored version after Derek took the liberty of making a digital copy of the album (along with other goodies) available on his website.
Lyrically, Stolkhom Syndrome doesn't stray too far from Webb's other albums where he often dances the line between what is spiritually acceptable in the Christian music market. Songs like What Matters More, What You Give Up to Get It (about the prominence of materialism) and Freddie Please (which is a response to anti-gay activist preacher Fred Phelps) contain material that often offend the squeamish of Christian cynics. Musically, however, Webb takes a 180° turn. Derek, along with co-writer and producer Josh Moore, trades in his guitar for midi controller, samples, techo-beats and many electronic sounds. While its boggling to imagine how Webb would re-create this album to his regular coffee-house crowd, Derek creates something really different and special with this album. There's a lot of toe-tapping grooves (Spirit vs Kick Drum) while also taking you on fragile soundscapes (The Proverbial Gun). If you enjoy blending sounds from the likes Radiohead, Wilco, and Muse then you might like Stockholm Syndrome. However, if you are hoping to pick up a singer/songwriter acoustic album from Webb, buy something else; this is not for you or the light-hearted Christian for that matter. Webb has some really challenging things to sing about, especially for the conservative dogmatist.

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Leeland - Love is On the Move


Leeland's debut album, The Sound of Melodies, took everyone by surprise with its mature worship-rock style of writing from a mere 16 year old Leeland Mooring. However, their sophmore album, Opposite Way, was mediocre in my opinion as they left a lot of their worship-tinged tunes behind for some straight up rock ballads (which are pretty good, mind you). Luckily, Love is On the Move returns to a more worship-centric genre and really create some great tunes including the hymn-like Via Dolorosa, Weak Man, and My Jesus.
Taking a familiar step with having well-known Christian-music producer Ed Cash come on board to engineer the album (and even help write a few songs), Leeland continue their quest to make great worship music while also entering the heights of great worship writers like Tomlin, Hughes, Redman, and the Neufeld brothers. This album is a great pickup if you liked Sound of Melodies, yet does bring some sparkle left behind by some great gems from Opposite Way like "Count Me In" and "Enter This Temple". I'm not overly gaga over it yet, but I've only given it one or two listens straight so the more I listen to it, the more the melodies will stick with me.

Wednesday, August 5, 2009

Arts vs. Ministry: Part 10 - Baby Blue Prints

So, it’s probably not news to many who know me personally, but Catherine and I are now expecting our second child. While it did come to us as a surprise last Monday, part of me said “it figures”. Another child was in our own plans for the future, but not this soon. At a point where it felt Catherine and I were making some progress on where our lives may have been taking us next, God throws us a curve ball.

He does that.

We to realize it’s just another part of the journey; another thing God is preparing us with. Another responsibility he’s blessing us with. He does that.

Of course, this is where the old adage “all in God’s timing” comes in. I’m semi-grateful for that because I'm always keen to understood His timing. I always thought that the whole desires of our hearts verse had a sense of immediacy to it. I was wrong. “Trust in Him and He will do this” does not mean God will provide my desires as soon as I find myself in a place of delighting, obeying, and pleasing Him. Rather, as you continue to read Psalm 37, the promise of God fulfilling your desires requires more thought and duty: “Be still before the LORD and wait patiently for him; do not fret when men succeed in their ways…” ("37:7a"). I am impatient and sometimes envious of others.

I’m sure a lot of people share these same feelings, but when you see someone with something you like/love and want/need, and begin to long for it, that is envy. If it gets out of hand to where those things become something to replace more important things in your life, it becomes idolatry. For example, I’ve got a number of friends who are in positions or situations I wish I could be in. Either playing music for a living or are in a creative/musical environment that I wish I could be involved in. Sometimes I envy that. For example, a couple of weeks ago, I got asked by an old friend in Calgary to move there so I can be apart of a musical project. It’s with a country artist who’s expected to be the ‘next big thing’. A few months before this, it was suggested by another friend that I be apart of another musical project which would also require a move to Calgary. While that sounds fun and exciting, it’s another thing to get up and move my family across the country to an enormous city where the cost of living is 4x as much as it is here in Moncton. Even without these opportunities for me, Calgary seemed very intriguing to Catherine and I. Her sisters both live there, we have many close friends there from our University days, there’s more opportunity for Catherine in her field of work (at twice the salary), and we just love the city. I won’t even mention it’s the home of my favorite sports team. But is this what God wants us to do and where He wants us to go? I wish it were as easy to say “yes, we’ll move to Calgary and all our dreams will comes true”. But here’s where our struggle lies… Is God slowly and subtly showing us a new plan for our lives by tickling our fancies or are our own ambitions and desires overshadowing another plan He has for us? After all, God wants to give us the desires of our hearts… right?

Sometimes, it’s hard to see the things that you desire and long for coming to fruition in the lives of others. But, it’s no secret God has different plans for each of our lives. God knows what is best for our own lives and gives us blessing upon what we’re capable of handling. We are told to "guard well" the things God has entrusted us with. Blessing just doesn’t stop with what’s been given to us. We are also supposed to use those blessings to keep giving glory, honor, and praise to Him. I’ve always maintained that wherever He leads, I will be quick to follow. Whatever cards I’m dealt, I’ll play. Whatever I’m given, I’ll be happy with. It's hard sometimes, but I try.

While the prospect of another new human in the house and both exciting and terrifying, I cannot let myself believe it changes God’s plan for our lives. Rather, it’s another way that God shows us His good and perfect will for our lives. Another child further expands our usefulness for sharing God’s love and faithfulness. It doesn’t change God’s plan for us; it just alters our own view of what that plan is for us. I still believe the things we long for will come to fruition, but not in our timing, not in our desired moment, nor in our own blue-print.

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I must add, now that I've read over this, that I am not ungrateful or dissapointed with the arrival of a new baby no matter how scary and trying it will be. While I will not argue that being a parent is often frustrating and exhausting, watching Noah from day 1 to day 511 has been an absolute, pure joy and there's no explanation to how much happiness he brings to our lives on a daily basis. I can honestly say I look forward to see that happen in another child we've created and seeing God's process work in our ever-expanding family.

Thursday, June 18, 2009

Pedalboard Renovation

Size matters, right? That's what they've always said but I don't buy it. Although, judging from the size of the pedalboards I've had over the past 8 years or so, you could certainly deduct that I believe it to be true. Ever since I started playing guitar about 12 years ago (geesh... I'm getting old) I've been fascinated with gadgets and stomp-boxes of all kinds for making unique, pure, and ambient guitar sounds; not to mention the guitarists constant search for the tone. I've had some gems and some lumps of coal over the years, yet I find I'm really finding my favorite sounds in some of the pedals I'm now using. I recently got a bonus from work and my wife gave me permission to use some of it to replace and upgrade some of my current pedals:

1) Digitech Whammy 4 - this pedal is, of course, most known for its use by players like Tom Morello and Joe Satriani. On its most useful setting, you play a note (or more, if you're brave) and kick the treadle forward to ascend the note one (or two) octaves up. Although it doesn't find much use when I'm playing lead in worship, it can create some unique chorus sounds, pitch-changes, harmony bends, and creative lead sounds. I recently sold my old, squeaky, wobbly, input-frtizy whammy and bought a brand new one. It's shiny and red.

2) Ibanez Ts9 w/ 808 Mod - The onyl pedals that have constantly been chaning on my board are drive pedals. I've missed my modded Ibanez TS9 (a staple in light-overdrives), so I decided to trade an old-school version of the Fulltone Fulldrive II for a modded TS9 to a guy here in town. While my Mosfet Fulltdrive has a great medium-gain rhythm sound with gain/mid-boost on the 2nd channel, I wanted a drive that'd do a slightly overdriven sound/clean boost and a modded TS9 is one of the best in the business (imo). Welcome home Tube Screamer.

3) Catalinbread Ottava Magus - this tiny little pedal is pretty fraggin' sweet. It's tiny, but has got some big volume capabilities. It's a copy of the "octave-up" fuzz that Hendrix, Satriani, and Robin Trower get a lot of use out of. It's always been one of my favorite tones and this one soudns especially good before another overdrive pedal. It gives me that octave tone without beeing too "fuzzy" and tgives a great lead boost as well. And, since the pedal is so tiny, it fits well ib my cramped custom pedalboard.

4) Electro-Harmonix MicroPOG - there was a guy who was selling his EHX POG locally for a great price and I coudln't pass up the offer. I was absolutely impressed with the POG's capabilites and sounds. Essentially, you can make use of it's 1 or 2 octavess down/1 or 2 octaves up sounds and get unique instument sounds. From a 12-string guitar, a 4 or 12 string bass, and even an oscillating church organ and POG's soudns are endless and it tracks chords amazingly. Unfortuneatly, the POG is a giant pedal and it coudl not fit on my board. So, opting out of selling me equally-sized EHX Memory Man to fit the POG, I decided to sell it (and in turn made profit) and bought a MicroPOG which was similar sounds, but isn't nearly as capable of as many soudns. But, it still emulates a bass guiar, 12-string, and (for what I want it for) a church-organ sound. It replaces my seldom-used MicroVibe and should give me some great chord and tone options.

So, those are my new and upgraded pedals. Here is my current pedal lineup and pic of my board:
Line 6 DL4 -> pretty much every worship guitar players delay staple since you can store 3 delays and have tap-tempo capabilities
Electro Harmonix Deluxe Memory Man -> this has become my staple for getting that .1/8("dotted eight") delay that The Edge makes so popular. Not only that, but I also use it for that pure analog "ambient" sound by turning up the repeat feedback and delay volume down
Fulltone Fulldrive II -> see above
Fulltone Fulldrive II (Mosfet) -> see above
Catalinbread Ottava Magus -> see above
MXR Dyncomp -> probably not my first choice of compressor (I'd love to have Keeley's 4-knob compressor), but I find this far better than most other non-boutique comps I've tried and they're at a great price. I use this particularly when playing with single coils, need a squashed sound, or need some really long sustain
pedalboards.com True Bypass Loop (Tuna Melt, Wah, Whammy) ->
Danelectro Tuna Melt -> I have some subtle tremolo in my amp head, but the Tuna Melt has a great "stutter" tremolo sound which casues for some neat sound. I don' use it often, but it's cheap and small
Digitech WHammy IV -> see above
Crybaby 535 Wah -> everyone has a wah in their setup. Not onyl are they graet for sols, but they give you different rhythm options when they're used as frequency gate(see Dire Straights "Money or Nothing" or Wide Mouth Mason's "Alright, Alright", "Once You Got It", or "Fa Na Na")
EHX MicroPOG -> see above
Boss TU2 -> the tuner everyone uses who don't want to pay for a Peterson Strobostomp

I hope to post some audio clips sooner or later. Here's a pic of my current board.







Wednesday, June 17, 2009

Art vs. Ministry: Part 9 - The Most Dangerous Prayer

I had a great conversation with an old friend last night. When I was living in Calgary during my last two yeas of university, Justin was one of my best friends and I loved spending every moment with him (except when he was hungry in which he became a very mean and grumpy person). Justin and I have more in common than any other person I’ve ever met and we think so much alike it’s scary. He’s also a musical mentor of mine (see this blog from April) even though he’s 2 or 3 years younger than me. Not only is he the best bass player I’ve ever played with (no offence to Ross, Tim, and the others players I’ve had the pleasure to play with), but he’s got a great head for music and simply just loves to play. He’s got more talent in his two, small Asian hands than I do in my whole body. It’s really quite remarkable. Above that, his passion to use his talents and abilities to glorify God is just as remarkable.

After playing catch-up for a while, we started to talk about music and where he was in his life. He’s practically playing full-time as a session guy for numerous musicians in Alberta and though he isn’t rolling in the dough, God is blessing him with the experience, relationships, and provision he needs to move on in his journey. To be honest, I was a little bit envious. As we talked, the conversation moved to where I am in my musical & spiritual journey and he proceeded to challenge me with a tough question: “are you waiting to hear from God what His will is for your life is or are you willing to step out in faith and hope it is His call”.

At first, I stammered at the question and got him to unpack it for me.

“Are you waiting to hear from God what His will is for your life is?”
“Yes”

“Are you at the place where you’re willing to step out in faith?”
“Sure.”

“Even if it meant not knowing where you are going or having no security?”
‘Well…”

I had a tough time with that part. I turn 26 in a few weeks. Even though I still consider myself young, I do have a wife of four years and a 16-month-old child whom I need to care for and put above my own wants and desires. I am in no way saying Cat and Noah are keeping me from any dreams or desires I have. That is certainly not the case. They are along for the ride with me and we follow God’s calling no matter where, when, or why we go. Marriage implies the two become one concept and I don’t believe God calls one and not the other; God’s will is all inclusive and is perfect, right, and good.

I explained to Justin that Catherine and I are in limbo right now. We’re not sure what God wants for us in our lives right now.
Are we content with where we are? I suppose we are, but we know there’s more for us.
Are we willing to drop everything in order to follow where He leads us? Most likely.
Do we believe that God would put us in a situation where we are not happy? No.
Do I believe God would put us in a place where we are not using our gifts, abilities, and relationships to serve Him? No. Luckily he doesn’t work that way.
The trouble is, though, that Christians today have difficulty living the “stepping out in faith” part. Sure, we can say we’re willing to follow Him wherever He leads, but sometimes He asks us to do things we just don’t want to or don’t believe He’d ask us to do. Basically, sometimes God’s will is easier said than done.

This past Sunday, my father-in-law preached a fantastic sermon on “praying the most dangerous prayer”. He talked about praying the phrase “use me, Lord”. That’s dangerous stuff because we don’t know what that entails.

Me: “Use me, Lord”
God: “Ok, then I want your identity, your influence, and your income”
Me: “Mmmm… all of those things?”
God: “Yup”
Me: “You sure?”
God: “Yes”
Me: “How about just…”
God: “All of them”

God wants our identity. He wants who we are. He wants what we stand for. He wants to change us to become more like His son. He wants us to reflect His love.
God wants our influence. He wants to use us and show others what He’s done for us, through us. He wants our words, music, love, and actions to affect others.
God wants our income. No only does God want to be control of our money but he wants us to use our possessions and tools to His glory and purpose.

These are tough things to give up, but following God’s will truly requires a step of faith. A walk into the unknown. A moment where you push all your chips in hoping your hand is better than his. God has pulled Catherine and I out of the miry clay before. He has provided for us when provision was scarce. He has blessed us many times before. I don’t believe these things ever stop but it’s a matter of believing He will keep doing it if you’re willing to lay it all down for Him. It’s a dangerous prayer and I am ready to pray it. I am ready to follow the next step in His will for our lives. Where to, God?

Thursday, June 4, 2009

1 John 1:1-4 - Who He Said He Was

"That which was from the beginning, which we have heard, which we have seen with our eyes, which we have looked at and our hands have touched—this we proclaim concerning the Word of life. The life appeared; we have seen it and testify to it, and we proclaim to you the eternal life, which was with the Father and has appeared to us. We proclaim to you what we have seen and heard, so that you also may have fellowship with us. And our fellowship is with the Father and with his Son, Jesus Christ. We write this to make our joy complete."

- 1 John 1:1-3

This morning, my friend Tim had a blog about who Jesus is. Not that I was trying to ride the coattails of what he was blogging about, but it just so happens my portion of 1 John today touches a bit on just that; who Jesus is.

The author, John the Apostle (not to be confused with John the Baptist) starts this book out by explaining the purpose of his writings: to share and express the "Word of Life" to its readers. John makes some suggestions about what the Word of Life is. Or, if you will, who the Word of Life is. Since John likely saw Jesus' ministry first hand, it's easier for him to be able to draw comparisons to person of Jesus and the prophesied Jesus. Apostle John takes the literal "Word" and applies it to the person of Jesus:
Jesus is - "from the beginning" (v. 1)
Jesus is that - "which we have heard (v. 1)
Jesus is that - "which we have seen with our eyes" (v. 1)
Jesus is that - "which we have looked at" (v. 1)
Jesus is the one whom- "our hands have touched" (v. 1)
Jesus - "appeared" (v. 2)
Jesus is - "the eternal life" (v. 2)
Jesus was - "with the Father and has appeared to us" (v. 2)

John's epistle is to "proclaim to you" what we (the apostles) have seen and heard, so that you also may have fellowship with us (the apostles)". A call to the sinner, the unsaved, the Jew and the Gentile, to believe that Jesus was the prophesied one and the gift of God in flesh; the truth, the way, and the life. Jesus' story and ministry make "our joy complete" (v. 4).

I was reading (not taking part in) an interesting thread today where people were arguing the existence of God; more precisely, the existence of deities like Jesus, Buddha, or Mohammad. The one Christian in the conversation proceeding to defend Christianity by simply comparing Jesus as superior to Buddha or Mohammad. Instead of using historical fact, scripture, or even the ministry/example of Jesus, he proceeded to just slam other religious figures.

I've quoted this from Bono on a recent blog but I thought it prudent to repeat it. In an interview he did with Bill Hybels where he says, "You either have to believe that Jesus Christ was the Son of God or believe that he was a complete nutcase. Jesus was either Charles Manson... an absolute nutcase or, in my opinion, who He said He was."

Jesus is the beginning and end who we have seen, heard, touched, and felt. You can either believe who he said he is, or you cannot. I say this to make our joy complete.

Saturday, April 25, 2009

LOVE

Other than music, I'm not much of an art-buff. I enjoy reading, I like poetry, and can observe paintings. There are few physical pieces that move me as much as music does. But, there are a few exceptions, and I want to talk about one of them. There's a popular piece of art on the street corner of 55th St and 6th Ave in New York City. I'm sure you've seen it before. LOVE. That's it. The letters L and O (which is slanted) over the letters V and E. The face of the letters are red and the silhouette is blue. It's nothing fancy, colorful, or significant. Ring any bells? Here's a pic:






Pretty simple right? For something so obvious and artistically relevant, it carries the weight of a city on its shoulders. Though just a four-letter word, LOVE packs a strong meaning, and is simple to say, do, and experience. Right?
"What have I learned about love? It's a dangerous commodity, froth will peril". That's a quote from the artist, Robert Indiana, who originally created the concept for the cover of a Christmas Card for the Museum of Modern Art in 1964. It then became a popular (and now collectable) postage stamp 9 years later. In 1966, Indiana made a steel sculpture of it and was displayed in the Museum of Modern Art for many years before being moved out onto the corner of 55th and 6. As you can see from the picture, it stands alone as an obvious reminder to the millions of New Yorkers and tourists who walk by it each year to simply love.

Has it worked? Probably not. We live in a world that seems to do the complete opposite as fine wine; it gets worse with age. Sitting in the Christian box for a moment, I hear about love all the time. With all the sermons, books, music, and special speakers I hear over the course of a year, you'd think that I'd be learning to love better, love more, and love differently. I'm not the one to judge whether that's true or not, but at least I have some sort of self-awareness of it. Sitting in the secular box for a moment, I see more war, killing, lust, and immoral opportunity every time I turn on the TV. When I sit in my lunch room at work every day, CBC news is on (it's the only channel we get) and all I see if how many have been killed in this Eastern country, what political party is slamming the other, and what Pres Obama is doing to save the universe today. (side note: Obama, by the way, had his own version of the LOVE statue created by Indiana to raise money for his campaign which replaced the word "LOVE" with "HOPE").

We're bombarded with pleas to love more. Love each other, love our neighbor, and love our enemies. Love others despite race, religion, sex, political affiliation, and moral belief. Why is it so hard for us to do? Can something as small as buying a hamburger for an ungrateful homeless man be considered love? Can doing the dishes for our spouse be considered love? Can offering hugs to complete strangers be love? Yes, it can. But what else is LOVE and why does Indiana himself call love a "dangerous commodity"? And where do find our example of what love is?

God is Love. And Jesus ended up being the "dangerous commodity" that Indiana spoke about. Jesus' death became the "peril" of what love brings. He was the ultimate sacrifice of love. Maybe you don't believe in God or Jesus. That's fine. But, even the simple concept of God's love is something amazing. I can't imagine giving up my son, Noah, to die for any one human being, let alone all of human race. Regardless, the most fruitful example of love is found in Jesus. His care, love, compassion, and encouragement for the poor, needy, helpless, and disenfranchised is beyond any other religious, literary, fictional, or physical example we've even been confronted with. Bono has a great quote in an interview he did with Bill Hybels where he says, "You either have to believe that Jesus Christ was the Son of God or believe that he was a complete nutcase. Jesus was either Charles Manson... an absolute nutcase or, in my opinion, who He said He was."

To push these comments a little further, world-renown preacher/speaker/spiritual advisor, Tony Campolo made an appearance on "The Hour" one night and said about Bono, "Here is a guy who is a rock singer who has done more to articulate what Christianity is really about than most of we preachers. In fact, he says to be Christian is to commit to the poor and to the oppressed." Later on in that same interview, Campolo talks a bit about love and how it's portrayed in society (using Luke 25 as his basis): "I (God) am not up in the sky somewhere. I'm waiting to be loved in people who hurt. As you relate to people who are hurt, you relate to me. There is no Christianity that does not tie (Christians) up with the poor and oppressed of the world".

Jesus shows this example of love many times in the scriptures. "The least of these..." so-to-speak. But not only Jesus' example of love through who He is, but God's example of love my simply sending His son down from Heaven into a world that needed love more desperately than ever. Jesus was God's 55th & 6th sculpture. He was the purest form of love to give us, yet "God so loved" that he "gave". We were the poor and disenfranchised until God sent a love to real and pure we didn't have to be reminded; just shown what real love meant, what real love felt like.

Still, though, why do we need a simple structure of steel to remind us to love? A simple word and simple piece of art is all we have left as a physical reminder of God's gift to us. The world is denouncing Christ, taking Him out of our schools, and find every way to find truth without Jesus. I don't believe that's possible. I realize I've asked a lot of questions in this blog without answers, but I leave it up to you to truly seek what true love is; find it so powerfully that you don't need anyone or anything to remind you of it. Having Christ is the ultimate expression of love and by giving, expressing, displaying, and showing love we can make this world better. Of course, that doesn't mean we need to stop making art about it; we just need to make sure that it points to the most fantastic, unreal, and purest example of it. Jesus. LOVE.

"Music is my first love. To wake up early in the morning with a melody in my head is a great gift."
- Bono

Saturday, April 4, 2009

My Favorite Albums of All Time

I don't think I'm too far off stating that the music industry has become a little bit stale over the past few years. The formula to making a 'successful' album is easily found on most pop records these days and this formulae has really dried up a lot of the truly great song-writers, musicians, and bands. Catchy lyrics, 4-chord progressions, a great melody, and anything not written by the actual performer are probably all goods starting points to writing a hit song. American Idol has re-popularized listener-friendly friendly pop music and the media's glorification of material possessions, sex, and women have even made the most terrible songs into hits because of content their lyrical content alone. And, the means of attaining music these days have become another problem; downloading an album over the net (whether free or not) have taken over CD sales and is causing a massive decrease in album manufacturing. So, to find truly original and undeniably great music you've really gotta search for it. The popularity of "indie" music, "brit-pop", and "the underground sound" have taken over, but most of these albums cannot be attained over the internet.

So, lately, I've been finding myself going back into my catalog of music and reintroducing myself to some of the most impactful albums on my life (both musically, instrumentally, and even spiritually). I'd be comfortable in saying that most musicians can recite some of their favorite albums of all time. I can only assume that some musicians can even remember the time/place they first heard 'that song' or 'that album'. Certainly, for some of these albums listed below, I can remember just those times & places. Whether it was a great solo, a great guitar tone, a catchy lyric, a melody or a moving chorus, the following albums have had everlasting impact on my musical development over the years. Yes, I'm sure there'll be others over to comes, but I believe it's also important to pay homage to those albums that have brought music to where it is today. So, here're my favorite and most inspirational albums of all time. These albums are in no particular order since they're all from different genres, eras, styles, and content. Feel free to comment with your Fave Albums in the comment section: I'd be interested to hear own opinions & styles. Enjoy:

  • "Ten" by Pearl Jam (1991)


    - while I could have easily put Nirvana's "Nevermind" in place of this record, I chose "Ten" because of it's coolness factor as a guitar player. Stone Gossard and Mike McCready have some amazing guitar tones, riffs, and solo parts. While Nirvana started the grunge movement, this album opened the flood-gates wide. With Eddie Vedder's charismatic vocals, a tight rock element, subtle use of guitar effects, and a purely raw sound, Pearl Jam's "Ten" is one of the most successful and profound debut albums of all time. when I first learned my pentatonic guitar scale, I practiced it over the solo section in "Alive" for hours and hours (no lie). I learned licks from that 2-minute solo section and applied them to my own style that started me on my "lead guitar" journey.
    Must listen: "Alive", "Black", "Even Flow"


  • "Any Given Thursday" by John Mayer (2003)


    I debated whether to include this album or not for two reasons: it’s a live album and it’s not my favorite John Mayer album. But, when I was living in Calgary I probably watched this DVD two or three times a week. Mayer was probably one of the first singer/song-writers I really got into. At a time when I was only listening to loud, heavy music I heard an acoustic version of “Neon” and was blown away. I checked him out and eventually got this live album & DVD. It really took me out of my shell and immersed me into a different kind of music. Even my guitar playing changed since, at that point, every solo I could play was shred. I stole a lot of licks, progressions, and structure from John’s playing and was introduced to a very important part of lead-guitar playing. “feel” and “emotion” (listen to “Lenny/Man on the Side” and “Covered in Rain”). You don’t get much feel when you’re shedding through a Metallica song, but John’s definitely got some SRV & Slow-Hand touch here. I even had a new-found respect for song-writing and acoustic playing (see “Neon” and “Message in a Bottle”).
    Must listen: "Covered in Rain", "Lenny/Man on the Side", "Love Song for No One"

  • "The Alchemy Index: Volumes I, II, III, IV"" by Thrice (2007/2008)


    - this one is another difficult album to include because it's a 4-CD, 2-Volume concept manifesto. But, the way it’s made, produced, and conceptualized makes it one of my favorite volumes of music. “Concept albums” have always been sketchy with me, but this one really worked for me. It really showed the breadth and depth of Thrice’s musicality. Each volume is an interpretation of an element of the alchemist’s index; Fire, Water, Air, and Earth. Fire is a raw, loud, heavy. Water has lots of flow and groove to it, with some digital aspects. Air is rock, but melodic and vibrant. Earth is very down-to-earth, honest, and mostly acoustic. This manifesto covers many genres, styles, and tones of music and I invite any music lover to immerse themselves in this collection. It’s absolutely amazing.
    Must listen: "The Arsonist" (Fire), "Digital Sea" (Water), "Daedalus" (Air), "Come All You Weary" (Earth)

  • "OK Computer" by Radiohead (1997)


    - As I stated at the beginning of this blog, music has become stale and formulaic. Every now and then, though, an album comes out that totally redefines that era’s music and reinterprets what music is to the artist. Radiohead’s OK Computer did just that in 1997. Although I enjoyed many songs from that record back then (I remember learning the tab of Paranoid Android from Guitar World way back then), it wasn’t until a few years ago that I was re-introduced to this album. It had as much impact on me 2 or 3 years ago as it did to the music industry back in 1997. Odd chord progressions, off-time beats, cryptic sounds, Thom Yorke’s muttering, eclectic guitar sounds, and electronic ambiance makes this album a staple for the music-lovers collection.
    Must listen: "Paranoid Android", "Airbag", "Exit Music (for a Film)"

  • "A Collision" by David Crowder Band (2005)


    - as I mentioned in a previous post, the David Crowder Band is probably my favorite “Christian” band; furthermore, he may be one of my 3 favorite worship song-writers and the band has an immense amount of musical talent and creativity. Before this record, I wasn’t crazy over them. But, my friend Sunny persisted and I really dug this album. The use of rhythmic guitar textures, loops, and yet simple 4-chord progression worship songs really got me hooked. The simplicity of song-writing and worship meets the intricacies of rhythms, sounds, and digital syncopation. I was curious as to how DCB would relate this to a live situation and I was even more blow away when I saw them in November of 2007 in New York City. Their live sound was pristine and was almost identical to their studio records.
    Must listen: "Here is Our King", "Come and Listen", "Do Not Move"

  • "Achtung Baby!" by U2 (1991)


    - U2 make great albums. Everyone knows that. But to pick a favorite from their illustrious 30+ year career and 12-album collection is quite the task. I pick Achtung Baby because it, like OK Computer, set a new bar for music at its particular moment in time. Achtung Baby mixed U2's unique rock sound with a dance sound and yet still stuck to their formulaic guns to make pop hits that garnered many #1 hits (One, Mysterious Ways, Even Better than the Real Thing). The Edge experimented with unheard of guitar sounds and made them work which really caught my ear. The envelope-filtered "Mysterious Ways" riff, 12/8 syncopated tremolo of "Acrobat", whammy-driven opener of "Even Better then the Real Thing", and industrial-thick distortion of "The Fly" make Auctung Baby the bar for guitar soundscapes and industry-changing albums.
    Must listen: "Mysterious Ways", "The Fly", "Until the End of the World"

  • "Long Line of Leavers" by Caedmon's Call (2000)


    - the first time I heard this album, I was driving to Toronto to go see a John Mayer concert with friends, Sunny & Marc. Between the three of us, our 17-hour drive consisted of many different albums. Marc happened to pop this one in and although it wasn't my favorite "styles" of music at the time, I had never heard such an emphasis on great melody and relevant, honest lyrics before. I bought this album shortly after and really dove into it. Lyrical depth and unforgettable melody made this my favorite folk-rock/sing-songwriter albums off all time. This also lead me to be a big fan of controversial Christina song-writer, Derek Webb (check out his album, "The Ringing Bell". Fantastic).
    Must liten: "Dance", "Love Along", "Prepare Ye the Way"

  • "mutemath (self-titled)" by MuteMath (2006)


    - as millennium rolled on, pop-music was becoming more and more a carbon copy of itself and was hard to find original and musically enriched artists... that is unless you were looking under the covers (or "the underground" as the kids call it). Using MySpace as a stepping stone, MuteMath came from out of nowhere and blessed everyone with a new and fresh sound. Mixing rock, psychedelic, neo-pop, and dance, MuteMath was the new sound everyone was waiting to hear. After their 5-song EP garnered some attention and their extravagant & energetic live performances garnered even more attention. When their self-titled album came out (produced by famous produce, Tedd T), MuteMath used MySpace as their only means of marketing and became an overnight (and underground) success. There hasn't been a keyboard/piano as a lead-instrument since Toto, and lead singer Paul Meany plays it to a tee. The ultra-talented band could make unbelievable music using spoons, a chair, dental floss, and a toilet. Using loops, pads, mega-tight drum & bass grooves, guitar-created soundscapes, a delayed-out Rhodes, and powerful vocals (all melodically, vocally, and lyrically) this album takes the listener on a cinematic journey over a musical one.
    Must listen: "Chaos", "Break the Same", "Noticed"

  • "Re-Load" by Metallica (1997)


    - when 1996's "Load" came out, Metallica got into a bunch of heat from their fans for "selling out" because the album wasn't as "metal" as 1990's hugely successful "Black Album". Oh, and because they cut their long hair. But, Load had a few gems and the purest of fans embraced the new sound. Originally, the album was supposed to be a 2-CD collection, but the label pressed them into releasing it as one album and re-releasing the "rest" of the songs as a B-Sides item. Evidently, "Load" didn't fair so well so on the charts or with most fans, so they decided to try releasing the B-Sides as "ReLoad". I'm not one to say whether it was more or less successful than Load, but to me, it is one of my favorite guitar albums. Some of the riffs, though simple, are memorable and I spent hours with the tab book learning every song in and out.
    "The Memory Remain", "Fixxer", "Prince Charming"


  • "Jesus Freak" by dc Talk(1997)


    - I'm pretty sure this was the first CD I ever bought. Sure, the song 'Jesus Freak' was the Christian song of its day, but this album has a few gems that were hidden in the shadows of the hugely successful title song; "Mind's Eye", "So Help Me God", and "Like It, Love It, Need It" were all great rocks songs with some very powerful riffage. Then, there are some "softer" tunes like "What if I Stumble?" and "In the Light" that really caught the listener's ear and, more importantly, heart. Strong lyrics, vocals, and plethora of styles really makes this an inspirational album, both spiritually and musically.
    Must listen: "Mind's Eye", "So Help Me God", "What Have We Become"

  • "In Loving Memory" by Big Wreck (1997)


    - Ian Thornley is one of the most underrated guitar players ever. His riffs are awesome, his chops undeniable, and tones are my favorite of any guitar player. Oh, and he's the front man and does it all while singing fantastic & complicated melodies. His band were mega-tight and ultra-talented as well, but Ian obviously stole the show. This was especially evident after Big Wreck (unfortunately) broke up in 2002. Ian, however, went on to create his own solo rock-band, Thornley, in 2004 (I also recommend the album "Come Again" by Thonrley). Ian Thornley has a way of making his guitar sing louder than his piercing tenor & falsetto voice. He has some of the most amazing guitar tones and is a master at making guitar effects work )see #1 hit "The Oaf", "That Song", and "Blown Wide Open"). There's also some great slide-guitar tidbits on songs like "Look What I found" and the solo on "Under the Lighthouse"). You can probably find this CD for $3 on your local pawn-shop shelf. I recommend you start looking.
    Must listen: "The Oaf (My Luck is Wasted)", "Under the Lighthouse", "Blown Wide Open"

  • "Scenery & Fish" by I Mother Earth (1996)


    - I neglected to put this album in since it's closely related to the Big Wreck album (after all, Canadian Rock of the mid-90's sounded too similar). But, then I played this album again and noticed a lot of sounds & grooves that weren't found in the Big Wreck, Our Lady Peace, and Finger 11 sounds of its day. Rather, Scenery & Fish is very rhythmically driven with Stuart Copeland-like drums, Tower of Power-percussion, lightning fast bass grooves, and Jagori's high-gain Hendrix riffs. For a a trio of musicians, they really beef up the sound and have a rock sound unlike any other band with their mix of R&B, Funk, and ethnic styles of music; all with a pop-sensitive attitude of melody and rock.
    Must listen: "Pisser", "Used to Be Alright", "One More Astronaut"










    Other honorable mentions:
  • "Albertine" by Brooke Fraser"
  • "Not to Us" by Chris Tomlin
  • "Morning View" by Incubus
  • "Twenty Something" by Jamie Cullum
  • "With Arrows, with Poise" by the Myriad
  • "About a Burning Fire" by Blindside
  • "Eat, Sleep, Repeat" by Copeland
  • "Black Holes & Revelations" by Muse
  • "Access:d" by Delirious
  • "Falling into Infinity" by Dream Theater

Tuesday, March 31, 2009

Scratching off the top of my Bucket List

Ever see the movie “The Bucket List”? Yes? Well, I feel for you. Ok, sot he Nicholson/Freeman combo was good idea, but the movie didn’t really deliver. Sure, it had a neat concept, but just wasn’t realistic and was a bit cheesy. But the movie does, however, provoke the question “if you had X-amount of time to live, what would you do?”

Of course, not all of us have unlimited amounts of money to spend on frivolous materials and marvelous journeys but we do all have things we wish to accomplish, do, and see in our limited time here on earth. I can’t say I’ve made my list yet but before I even think about such things, I automatically know what would be the first thing on my list: to see U2 in concert.

On March 3rd, U2 released their latest album called “No Line of the Horizon”. I like it. It’s no “Achtung Baby”, but it’s close. I told Catherine months before its release that this would be one of the very few chances I’d have left to see U2 on Tour since they’re getting old and frail; conversely enough, the music does not and still holds just as much power as it always has. I quickly scanned the U2.com for tour-dates and after a few weeks of NLOTH’s release, they released dates and was on the prowl for tickets. Though pre-sale tickets quickly came and went last week, I didn’t have the $50 to spend on a membership to try and get pre-sale tickets. Rather, I waited out until the public sale yesterday afternoon. I was on the phone for 1.5 hours trying to get tickets but could not get through. I had a line on my work phone on hold with TicketMaster, kept trying to call TicketMaster on my cell phone, and kept getting put in and out of queues online. I (along with friend Matt Barbour) wanted to get tickets for the Boston show but by the time I finally got through to a human-being all that was left were the terrible $252 seats. So, I tried the to get tickets for the Toronto show (to which they added another show the next day). Funny enough I only had to make one call to get through the Ticketmaster.ca number and got 3 tickets for the Sept. 17th show at the Rogers Stadium. Although I didn’t get the tickets I wanted ($57 General Admission tickets that were standing-room on the field with the stage) I had to splurge and get “ok” seats for $97. I am excited, though, and can’t wait to finally get to see them live.

I once read (can’t remember where) a memorable quote from a pastor who went to a U2 concert once; he explained it something like this: “a U2 concert is a worship experience like none other. Except, this worship concert has the occasional cuss word and alcoholic beverage”. Even from all the U2 DVD’s I own, you get swept away by the music and its impact on a crowd. I can wait to get caught up in that and just take in the experience for myself.

This is a video of U2's second single from NLOTH, "Magnificent" and is my fave track from teh album. After the album's release, DAvid Letterman had U2 as the musical guests for a whole week and tore the Ed Sullivan Theater down with nermous performances; this, also, was my fave. What a fantastic lyricist:


"I was born, I was born to sing for you.
I didn't have a choice but to lift you up
and sing whatever song you wanted me to.
I'll give you back my voice.
From the womb my first cry it was a joyful noise."







"Only love, only love can leave such a mark."

Thursday, March 12, 2009

Noah's First Birthday

I haven't blogged much about being a dad. I guess it's because it's a position that naturally comes without notice and is a gradual learning process. If I'm being as honest as I can, it's the most frustrating and rewarding thing I've ever had to experience. On the one hand, I'm not sure if there's any better sight than to see my son, Noah, smile and no better sound than to hear him giggle. I know that sounds cliche and sappy, but it's the Gods-honest truth; I'm sure any dad will agree. On the other hand, the first 9 months or so were a bit of a challenge because of loooong nights of 5 or less hours of sleep, headaches from the screaming and crying, and the worries that surround his eating, sleeping, and pooping habits. It's all relative when you're a dad.

But, today Noah is one year old and I couldn't be happier. Not only for him but his health, to see him grow, develop a personality of his own, and see him change daily. A year of my life has never gone faster, and I thank God for the many blessings he's given us, getting us through financial difficulties, and most importantly blessing us with a boy that coudln't make us any happier. Since Noah wasn't planned this earlier in our marriage, God has challenged us to be as good a parent as ours were to us and I believe we're walking in the right direction. I can admit that God still has some things to do inside of me, but I believe He's teaching me and Noah has been a huge part of that.

Noah is starting to walk now (actually, he just took 4 steps and bailed beside me while I write this) and his baby-babble is more prevalent (yet, still irrelevant), and he's sleeping about 10-11 hours a night. He's a beautiful boy and Catherine and I are so proud of him. And, if I can say so, I'm proud of us too. We've survived the first year and I imagine the second will be just as rewarding, exiting, and purely frustrating as the first. Funny thing is, I can't wait.

Happy 1st Birthday Noah.
I love you and can't wait to put skates on you so you can make me millions when you're older.
Or, put you behind a drum-kit so I can have someone to jam with.



PS: I've made a video of Noah's first year and I will post it as soon as I've finished editing it... stay tuned.
PPS: Macs make life so much easier.

Tuesday, November 25, 2008

Guitar Hero: Worship Leader Edition


I’m sure many of you have seen this concept before, either as a Facebook group or maybe even through email. Most of the ideas expressed in the following are taken directly from the “Worship Hero” Facebook group but, as a worship leader/musician, I thought it’d be appropriate to edit, organize, and repost it for all to see. The truth is both true and funny so take it with a grain of salt. I present to you...


Guitar Hero: Worship Leader Edition

Your Mission:
You are a musician with a call to lead God’s people into worship on a voluntary (or, God permitting, vocational) basis. The first level starts you off leading worship at a small church building your spiritual gifts and efforts up by making your way through many ministries and churches to the ultimate goal of becoming a worship leader at a prestigious mega-church.

Your Purpose:
To become a multi-million dollar worship leader (see "rock-star") while still giving all glory, honor, and praise to God through music.

Rules of (Spiritual) Engagement:

  • All worship sets must include a minimum of two hymns, one Chris Tomlin song, and one 80’s/90’s worship chorus. In addition, tempo transitions must start out fast, followed by medium-tempo songs, ending with slow tempo songs.

  • All songs must follow the following map: Verses, Chorus, Verse, Chorus, Chorus, Bridge, Chorus. Deviation from this order can result in excommunication and mass confusion of instrumentalists.

  • Some levels will require you to conduct certain stage designs which must incldue particular realistic touches to your environment such as tacky plastic foliage, inspirational banners, or plexi-glass pulpits.

  • You must maintain your team's dress-code during services. This code excludes skrits above the knee, open-toed shoes, hats of any kind, ripped/torn/faded jeans, and t-shirts. Any choice of "inappropriate" clothing will result in an uprising of old congregationalists and threatening elders.

  • Every so often you, as the leader, will take it upon yourself to demand an acoustic set which will face great and silent opposition from your keyboard players and drummers who are forced to play percussive instruments. No matter how boring this is, no one is allowed to or will ever complain because we all know that we do not come to church to be entertained. Inproper balance of this level is dangferous as you may experience higher than normal level on the FHLI (False Humility Level Indicator) and you may also lose some youth at the next service.

  • You, as the worship leader, must conduct the entire congregation. You will not keep tempo however. You must force the band to follow your seizure-like speed changes.

  • Games Modes:

    Practice Mode: as worship leader, you must direct, practice, and rehearse your worship band on a weekly basis. This mode will always be fantastic and include many elements foreign to Sunday mornings (ie: drum fills, shots, accapellas, interludes, worship, and the Holy Spirit) and every song's tempo will be increased by 30bpm with fluctuations in anxiety levels


    Service Mode: You must develop a repertoire of worship songs. Instrumentalists are permitted to experiment with solos, but take caution: any excessive soloing will cause an uproar amongst some of the elder. Your transposition and arranging skills must be honed to make sure that every song has no more than four chords (the fewer, the better) and must not deviate from the keys of G, E, or D as they are the easiest for guitar players to play.




    Your Band & Instrumentalists:
    you must recruit a band on a weekly basis composed entirely of Churched individuals who think they are skilled in their instrument.


  • Your worship team must have a minimum of:
    -at least three guitar players (bass, acoustic, electric)
    -at least four singers
    -at least one keyboard player
    -two percussionists: one must be a drummer while the other must consist of a musician who cannot play any instrument or sing but still wants to be on the worship team; you provide them with a triangle, bongos, djembe, or tambourine.

  • Guitar players:

  • electric guitarists must play 94% of what the acoustic player is playing. Any derivation should be dealt with by turning the amp down
  • guitar amps must be run through a DI Box. Do not mic the amp. Heaven forbid you have good tone
  • guitar players must not have their amps turned up past 0.5 on the volume knob. Failure to do so will result in dissension from the sound techs and the elderly.
  • occasionally, one of your guitarists will require a capo. This will result in utter chaos as you will now have two sets of chord sheets which will inevitably be mixed up and none of your band members will know which key to actaully play in
  • any and all guitar solos must begin with the melody of the song's chorus. Derivation from this will be allowed (but not recommended) after 4 bars

  • Drummers:

  • drum kits must be fully engulfed by a plexi-glass wall. No one will know or ever understand the reasoning for this but failure to do so will result in dissension from sound techs and the elderly
  • drummers must resort to "Hot Rods" and/or plastic sticks because wood sticks make too much noise
  • even if volume of a song is only going from soft to mind-blowingly loud in half a measure, your drummer requires only one skill: and that is to build

    Bass players:

  • bass players must go direct through a D.I. (direct input) and musn't use amplifiers larger than one 10" speaker. Failure to do so will result in dissension from sound techs and the elderly
  • you will lose points if your bass player is making any use whatsoever of the subwoofers provided by the church's sound system
  • bass players will always be the only member of the band with actual talent. To ensure that no one hears them, make sure he is turned down at all times except for simple, one-note intros

  • Keyboard/Piano/Organ:

  • every song (fast or slow) must have a keyboard pad as the background. The keyboardist must work hard to make it look like they are contributing. This is usually achieved by dramatic facial expressions, swaying, or yelling in between pre-choruses and choruses
  • the final slow song must be dominated by an angelic synth sound. This activates the Holy Spirit.

  • Vocalists:

  • 75% of your vocalists must sing the melody. A maximum of two harmonies are allowed which must be at 50% the volume of the melody
  • any vocal harmony must be dragged out longer than the melody to allow the congregation to hear them


  • POINT STRUCTURE:

  • points are awarded if you or any band member shouts “Jesus!”, “Yes, Lord!”, or other indistinguishable noises between choruses

  • points are awarded for getting your band-mates to properly execute map and tambre changes using any means necessary including leg-lifts, dirty looks, frantic arm waving, and/or yelling

  • be sure not to leave more than 4 seconds of awkward silence while transitioning songs, as the Holy Spirit Level Indicator (HSLI) will take a sudden drop. If the HSLI remains in the red for more than 15 seconds, your team will be asked to leave the stage, and you will be told gently that there are other teams who would like to use their gifts for God as well

  • bonus points are awarded if everyone in your band (including vocalists) shows up on time. However, double MINUS those points because the sound techs are MIA

  • points will also be lost when you request "just the voices" and your drummer or guitar player keeps playing

  • points will be lost when the vast majority of the congregation raises their hands and sings only during the chorus while staring blankly at you or the projection screen during the verses

  • points are lost if you say, "God is good" and no one replies "all the time"

  • at the end of a set (level), a middle-aged woman who knows your name but doesn't introduce herself will say, "You are SO anointed!" Your FHLI (False Humility Level Indicator) will blink indicating the false humility you're about to use to respond with. 5000 extra points and a free set of in-ears if you can figure out how to respond well